I don't go into my dentist and say, 'Are you gay?' I don't say to contestants on 'So You Think You Can Dance,' 'Are you gay?' What does it got to do with me? What does it got to do with anybody?
Contrary to popular opinion, the hustle is not a new dance step - it is an old business procedure.
Having a very serious thematic element in the lyrics and then juxtaposing with something really triumphant and just a big beat to dance to is a nice contrast to having a dark message.
But from the time I was very little, it was something I would do all the time, just sing, dance and act. So it wasn't something that was fake or contrived as I got older.
I never liked dance photography; it's very flat, and dance photography in the studio looks very contrived.
If you're sitting across the table from someone, the geometry of the situation says 'confrontation.' If you're walking with somebody, you're heading in the same direction, and the spatial dance you're doing is a little more cooperative.
I never really stop and think about should I put my hat on this way or that, not thinking that little JoJo down the street would be copying that. I'm more conscious about it now and tell the kids that it's not about the shoes or what kind of shoes... it's all about the dance.
There's a dance happening on both sides of the table. Individuals are giving their personal and career values a lot more weight when it comes to finding a company that aligns with both. At the same time, companies are becoming a lot more transparent about their core values as an organization and the types of people they want to attract.
I danced a little as a kid here in Canada: in Ottawa at the Elite Dance Studio and at the Top Hat Dance School in Cornwall where I grew up. So I had some experience of having to learn routines.
The monarchy is finished. It was finished a while ago, but they're still making the corpses dance.
All of us kids ended up 'doing Mom.' There are four of us who've tried show business. Five if you insist on counting my sister the nun, who does liturgical dance.
I lived in Meadowbrook. I went to church at Meadowbrook United Methodist Church. I went to school at Meadowbrook Elementary School and then Meadowbrook Middle School. I learned to dance at Meadowbrook Country Club. All those things grounded me in one place and I think most of Fort Worth is just like the area I grew up in.
I don't think it's changed that much when you go on the principle if Garth introduced more rock into country music, then Florida Georgia Line's gonna introduce more dance and more beat-driven stuff into country music. That's just how it's gonna go. So whatever influences you as a kid, you're gonna put in your music.
My sister was born a couple years after I was, and I realized that I wasn't getting enough attention, as much attention as I used to before she showed up, and then I learned pretty early on that if I could do a silly dance or make grown-ups laugh, then the attention would come back to me, and I would be accepted.
Evolution is a tightly coupled dance, with life and the material environment as partners. From the dance emerges the entity Gaia.
Life clearly does more than adapt to the Earth. It changes the Earth to its own purposes. Evolution is a tightly coupled dance, with life and the material environment as partners. From the dance emerges the entity Gaia.
Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
Language is a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.
My main goal is to connect with the crowd. I leave room for improv. Whatever happens, happens. When I bring my band with me, it turns into the Craig Robinson comedy dance party.
I crank up the music, and I dance around the house.
