We're not perfect, and there are some dark patches in our past, but what makes us special is that we recognize these evils, we come to grips with them, and we fix them.
Noveller make soundscapes that are creepy, ethereal, really beautiful and all over the place. They can be intense, dark, and groovy but also dreamlike and happy.
It's more interesting isn't it, if I've got a hedonistic dark side?
WI played a young Helena Bonham Carter in a BBC film called 'A Dark Adapted Eye,' and I thought she was a completely spellbinding person. Totally unmoved by other people's expectations, fashions or opinions. She's probably the coolest English actress there is. Incredibly idiosyncratic.
'Hereditary' is unabashedly a horror film, whereas 'It Comes at Night' was a lot of things: it was a thriller; it was a postapocalyptic drama. It was a slow-building, very dark movie about relationships. 'Hereditary' is also about relationships, and I hope it functions as a vivid family drama, but it is also very much a horror film.
As a kid, I was a Hitchcock lover; I cared about the dark side of things.
'The Hobbit' was one of the first biggish books I ever read. I remember vividly the 'riddles in the dark' passage, and it meant a lot to me to finally get to play it after all these years.
I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.
The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.
Society's dark hull drifts further and further away. It is this place - the place of our separation, our distinction - that much of his poetry occupies.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
I go down to my little hut, where it's tight and dark and warm, and within minutes I can go back to being six or seven or eight again.
I actually really liked the music to the 'Friday the 13th' Nintendo game. I still listen to it all the time. I sampled it in a couple records, too. It's hypnotic and dark but also really pretty.
As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.
The most important thing in imaging for me is the dynamic range. The dynamic range means the tones that you can capture from highlights to dark and the bits, the depth of color that you can capture.
An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius.
'Room' was a very dark movie, but 'Wonder' is a fun, light movie that sends out an important message. There is a big difference.
People might think that I'm inaccessible, unapproachable, and dark. In many ways, my characters are uncomfortable to interact with, but that's not me.
In the case of 'Zero Dark Thirty,' about the hunt for Osama bin Laden, an issue that is central to the film - torture - is so important that I feel I must say something. Mark Boal and Kathryn Bigelow have been irresponsible and inaccurate in the way they have treated this issue in their film.
If governments did not mislead their citizens so often, there would be less need for secrecy, and if leaders knew they could not rely on keeping the public in the dark about what they are doing, they would have a powerful incentive to behave better.
