My weakness is dark chocolate. I carry little tins of it in my purse.
I will watch a movie that is quote unquote dark and not get the qualification of what is dark and what is not.
A lot of my family are redheads, but I'm a dark blonde.
The seeds of a redwood are released from cones that are about the size of olives. The heartwood of the tree is a dark, shimmery red in color, like old claret. The wood has a lemony scent and is extremely resistant to rot.
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
What do I do when we're not taping? Sit in a dark room and refine my plans for someday ruling Earth from a blimp. And chess.
When I look at the web, it's clear that the web is a fantastic instrument for all of us. It's clear that we have the dark web and the deep web and all the problems of cybersecurity, etc. And the question of regulation is a very complex question in relation to this.
I get up to write while it's still dark, 5 or 5:30. I start by editing and rewriting everything I did the day before, and that gives some momentum for the day.
I'm really such a bumbler! Writing fiction is like arranging furniture in a dark room. I can't see what I'm doing. I grope for the right words. I bump against the wrong words and stumble and stub my toe and curse and keep trying to guess what belongs in the space.
There are two trilogies I admire: Robertson Davies's 'The Deptford Trilogy' and Philip Pullman's 'His Dark Materials.'
The 500 years following the fall of the Western Roman Empire were dubbed by the poet Petrarch 'dark.' Although the 14th-century Italian was referring to a literary decline, the term caught on to denote the seemingly backward turn the Western world took with regard to religious and technological developments.
I find short, fast romances romantic. There's a beauty to dark imagery.
It is a dark, unspoken truth that the powerful - the 'ruling class' - make up the rules as they go along.
Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections.
The whole Brexit saga is, in my view, one big, terrifying leap in the dark.
There's certainly a side of me that isn't completely... sane. Or completely 'even' all the time. We all have our dark sides.
'Better Call Saul' gets surprisingly dark.
We shot 'CBGB' in Savannah, and then I took another project there afterwards called 'Killing Winston Jones.' It's a dark comedy with Richard Dreyfuss, Danny Glover, Jon Heder, Danny Masterson and Aly Michalka. It's a great cast and a beautiful film.
My wife is Swedish, so I'm familiar with the Scandinavian kind of odd humor. It's very dark and very deadpan.
I find 'Fatal Attraction' really romantic. I really like the seduction. Almost every time I see it, I'm surprised when it goes dark. I know that's the claim to fame, but I key into how genuinely romantic it is.
