I don't know why I get cast in a lot of period pieces. Stephen Fry told me that I had a face for period, that I look like someone from 1920.
I figured, 'Why not put goggle characteristics like peripheral protection and face fit into sunglasses?'
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past, I will turn the inner eye to see its path. Where the fear has gone, there will be nothing. Only I will remain.
When we can commit a crime, we can also trigger debate. Cases go to courts. Media start covering the cases. But once you build smart environments where, if you meet a certain probabilistic profile, you won't even be allowed to board a bus, let alone commit a crime, we're perpetuating existing laws so they face no challenges or revision.
When the farmer can sell directly to the consumer, it is a more active process. There's more contact. The consumer can know, who am I buying this from? What's their name? Do they have a face? Is the food they are selling coming out of Mexico with pesticides?
Petite features should always be paired with thinner, softer brows - they don't overpower your face.
We need to face it, as a nation we have a reliance on petroleum.
Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.
When you face obstacles or go through different phases, I always relied on my music. I depend on my music, my teammates. So at the end of the day, having incredible music, for me, would keep me in the space I want to be as an artist.
The world is philosophically booby-trapped; touch an interesting subject, and it just might blow up in your face. Some say it's better not to touch.
My phobias worsen as I get older. I'm scared of flying, driving. I'm terrified of sharks. I'm a germaphobe. But I try to face my fears; I do. Well, most of them.
When I have to take phone calls, I start to sweat and panic. Being on the phone is so weird - hearing a voice without seeing the face so you can't really know the intention behind the voice.
I have my insecurities, and some days you don't want to be photographed. You notice all of your flaws even if others don't notice them. Photo shoots also feel very vain because it's all about you and your looks and your face. I feel I work better on camera.
From as far back as I can remember, I was always insecure about my looks, whether it was my flat chest, my skinny legs, or how to cope with my body as it changed. With hindsight, I can see I was different. I was given a body that worked for photographic modelling and a photogenic face.
A woman said to me when she first sat down, You're photographing the wrong side of my face. I said, Oh, is there one?
When I first came to New York, I would scream like a girl and run to the other side of the street if there was a pigeon. Now I can face off with a pigeon.
I've always felt that when you use too many products or try too many new things, you're just piling a lot of unnatural, unnecessary stress on your face. I try to keep it simple.
I don't want to have to be beautiful all the time. I want to be able to look cruddy in my weekend sweats, with a pimple on my face and pimple cream on top of the pimple. The expectation to always be beautiful bothers me.
I do my best to use all-natural type of products. I find that Perricone has really nice face cream. I find they have good facial products. Whenever I have a pimple, their products clear them up and make my skin nice and clean. Also, Kiehl's Ultra Facial Oil-Free Gel-Cream.
When I was a teenager, I had pimples - oh, God, every time someone looked at my face I thought they were looking at my pimples. I put mud on my face to dry them out, and it worked.
