I definitely follow fashion and trends and will sporadically add them to my wardrobe in an organic way. But my style, at its core, is a minimal, clean, and timeless look.
I was in middle school at a bat mitzvah, and a fashion photographer, Suzy Gorman, came up to me and asked me if I considered being a model. I did a shoot with her, and than I signed with an agency in Saint Louis.
I'm really happy that people understand that man-repelling is a good thing. I was afraid people would think I was mocking fashion, and it's like, 'No, I swear, I'm wearing feathered sleeves as I write this!'
Driven to design by what she refers to as the lack of glamour in the industry, Bar Or creates for the modern woman who is a fashion risk-taker, one who is confident and, perhaps, has a larger than life personality.
I think the reason why Off-White exists is to modernize fashion.
All brands, whether high-ticket luxury ones such as Cartier or Rolls-Royce or 'masstige' ones with luxe-y overtones but altogether more affordable, all want to grow. Even brands that may have started in a modestly niche design and lifestyle fashion can find themselves under pressure to go global or to sell out at the top.
It is only in the act of nursing that a woman realizes her motherhood in visible and tangible fashion; it is a joy of every moment.
What Mona May taught me is that the most important thing about fashion is that you feel good in it.
I think style is very different from fashion. Fashion was what I went after when I was feeling incredibly insecure and monstrous on the inside.
I was pretty much a child of 'Monty Python.' I grew up loving that type of humor and even structured a lot of humor in the same fashion.
I was doing the 'Vogue' fashion awards when I was 16, live on VH1. I was coming down the steps, and I'm a really hard walker. I hadn't had a mistake yet in my career. Everything had been perfect. So I come down the steps on live TV, and I slip. I didn't fall, but you could see the look on my face. I was mortified. I was devastated.
I think everyone respects Rock. He's obviously been in our industry his entire life in some form or fashion. He's a guy that works really hard, and most of our performers can appreciate that one way or another, whether it's in the movie industry or our industry.
I'm a rather multifaceted person - or at least I like to fashion myself as such - so my dreams are multifaceted. For example, I had a dream of winning a Grammy, right? I've done that three times over.
Beauty and fashion are not really local anymore. You really have to be a global citizen to know what trends are. Now, it's pretty much the same designers and the same kind of trends, whether I am in New York, Milan, or Mumbai - it's the same.
I think before, in the '80s, it was more about fashion and music videos and a lot of radio: getting out there and the fans learning who you were and your music.
I always think about fashion when it comes to making music and music videos... what the colours will look like, what the material will be, how will it work with the sound of the music.
I think 1973 was the nadir of fashion. When you watch the coverage from that era, you're struck by the astonishing ugliness of the clothes.
In true, narcissistic fashion, when my father was diagnosed as a narcissist, he called us all up individually to tell us, and he did it with true pride.
I do fashion to tell a narrative.
Growing up, dating seemed pretty straightforward: If someone was interested in getting to know you on a romantic level, they approached, exchanged info, and proceeded to communicate with you in a consistent fashion between outings of various natures.
