Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
Being on a film set, you are always around such fantastic people. And I feel like I've been lucky. I feel like I've worked with the best of the best.
I don't feel isolated on a film set. In a way you do because you don't really mix with the outside world; you're just sort of working non-stop for a few months, but you've got so many people around you.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
Directing is more what I would like to get into eventually. Frankly, I feel like it would be a waste if I didn't because I've spent so much time on film sets, and I know how they work, and I love them, and I love leading them. I would like to do that as a director definitely.
Actually Maddy is my name. But I feel that whenever you address somebody, there needs to be certain amount of dignity rendered to it - irrespective of whether it's a film star or somebody you are fond of. I find it very pleasing when somebody refers to me as 'Mr. Madhavan' or 'Sir' or 'Mr. Maddy.'
I do feel I have all the qualities of a film star but then why didn't I make it that big? I blame it on my destiny. I was not there at the right place at the right time.
I definitely want to get more active in the film world. My experiences I've had thus far have been really fun, and I definitely feel my best is yet to come in that world.
I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.
There are artists or filmmakers or cinematographers who have had long careers who, maybe to reinvent themselves or just to stay in a secure place, layer it on or ham it up, if I can use that expression, or make grand choices that don't feel as authentic as what they did to make us fall in love with them in the first place.
One of the nice things about the world of filmmaking is that you make friends in the business. Sometimes directors feel a script needs something, but they're not sure what it is, so they show it to a friend; if the friend is a writer, he ends up kicking around with that script for a while.
I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.
If my films make one more person miserable, I'll feel I have done my job.
One of the earliest requested features was to do premium filters where a brand could sponsor a filter. It's just not in our wheelhouse. It doesn't feel 'Instagram'-my in the way that the high-quality brand ads do.
I feel very lucky that I don't have to rely on a man to give me financial security. That's a big deal.
God bless Interlibrary Loan. I pay a lot of library fines. In the case of 'A Single Shard,' I was using books that hadn't been checked out in 30 years, so I didn't feel too bad.
The finest works of art are precious, among other reasons, because they make it possible for us to know, if only imperfectly and for a little while, what it actually feels like to think subtly and feel nobly.
Leaving a lot of movie sets, I've gone home and said, 'How come my hands are clean?' I should finish something and go home with dirt in my fingernails, because then you really feel that you've done something.
The arms of God reach to embrace, and somehow you feel yourself just outside God's fingertips.
I was very fortunate in having David Fincher, the director come to me. Now I've seen the finished product, I feel that every bit of the nine months we spent on the film was worth it.
