A movement is only composed of people moving. To feel its warmth and motion around us is the end as well as the means.
You live for those pressure moments. Through an international career, you have ups and downs, but you always feel you are going to be tested in moments like that. It has taken me years to feel comfortable and to feel like I have good composure in those situations.
If you call 'religious' a man who believes in what I call a Supermeaning, a meaning so comprehensive that you can no longer grasp it, get hold of it in rational intellectual terminology, then one should feel free to call me religious, really.
Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression - these elements of my poetry are also elements of my prose.
I tell the story by feel most of the time, and I am not much given to labyrinthian digressions but seem to be naturally drawn to compression and pace, and the feelings come about on their own.
I feel no compulsion to be a pundit. As a matter of fact, I really don't have that much to say about most things. Working with hard news satisfies me completely.
I don't miss 'Saturday Night Live.' I feel less of a need for the fulfillment that performance used to give... I don't have to do everything right away. As long as I can walk and jump, I'll still perform, but I no longer feel such a compulsion.
I'm a compulsive note-taker, and I used to feel self-conscious about pulling out my little notebook and taking notes during a casual conversation. Then I noticed that people really seemed to enjoy it; the fact that I was taking notes made their remarks seem particularly insightful or valuable. Now I don't hold myself back.
I'm lucky because the most dangerous thing that could happen to me is that someone will say something mean on a computer screen miles away, and so I feel like if that's all that I'm facing, then why would I not use my platform to talk about things?
Just because someone can sit behind a computer screen and have a different name and hide themselves, they feel like they can do anything to anyone.
Records were replaced by CDs, and lead type died in favor of computerized fonts. However, each had a 100-year ride of popularity, so you can't feel too bad for them.
Men feel that cruelty to the poor is a kind of cruelty to animals. They never feel that it is an injustice to equals; nay it is treachery to comrades.
Through adopting radical extremism, some young men who previously felt humiliated and emasculated by their peers can now feel powerful and intimidating - and gain status, attention from young women, and the comradeship and solidarity of other young men like themselves.
I believe that mothers should tell the truth, even - no, especially - when the truth is difficult. It's always easier, and in the short term can even feel right, to pretend everything is okay, and to encourage your children to do the same. But concealment leads to shame, and of all hurts shame is the most painful.
I look good. I feel good and not to sound conceited I sound great.
Virtue is its own reward. We only invented concepts like heaven and hell to describe how we feel. We don't feel good doing bad and it's nice to help someone.
We can prevent many people from becoming terrorists by truly listening to people who feel they've been treated unjustly and responding to their concerns with a sense of justice and compassion.
When you've got a team who are making a concerted effort to make a batsman feel uncomfortable it can look pretty ordinary.
As for my own music, I've never written a book about it. I'm not pedagogical... When I write an abstract piano sonata or a concerto, I write what I feel. I'm not a self-conscious composer.
I feel alive, fit and active. I have no plans for retirement. My only concession to getting a little older is that I like to have a cat-nap in the afternoon. After that, I can push on through anything.