So much of art-making is about reducing things to the essentials, so I don't feel particularly crippled by this. I don't want it to look natural because then I would be making a documentary film.
I'm not a big fan of flying. I definitely try to take the bus whenever I can. I've gotten a little bit better about it, but it was a pretty crippling thing for many years. I feel safer in a private plane.
These are all personal crises, I'm sure, that I manifest in a song format and project into physical situations. You make little stories up about how you feel. It's as simple as that.
When you are proud of something you have done, and you have made a film you feel has merit, and it's found an audience and is critically well received, that's a pretty pleasurable place to be. I mean, you don't want it gathering dust at the bottom of someone's DVD collection.
I don't focus on the critics. Everyone who is making any difference in any field has critics. As long as I feel like I'm doing what I'm supposed to be doing, then I don't worry about it.
My position at Tottenham was in the centre of midfield, and I have played there for Croatia, I feel I am best there.
Anyone who doesn't feel the crosses simply doesn't get that country.
There are women who can make you feel more with their bodies and their souls, but these are the exact women who will turn the knife into you right in front of the crowd. Of course, I expect this, but the knife still cuts.
If I can stand up when I'm 80, I'll be happy to cruise around on a skateboard. If I feel like my skills are fading, I just won't do it publicly.
Things need shaking up when American women feel endangered even as Yosemite bears lumber around belching, their eyes glazed with surfeit, their pelts covered in Oreo crumbs.
I try not to go down the 'what if' road very often. It isn't fruitful and just makes you feel crummy.
Someone asked how I feel about Captain Crunch. I'm capable of eating an entire box of it without any milk. It is a sweet taste that is indescribable. Captain Crunch is its own flavour.
It's my crusade to help women feel good about themselves.
You know, you can make a small mistake in language or etiquette in Britain, or you could when I was younger, and really be made to feel it, and it's the flick of a lash, but it would sting, and especially at school where there's not much privacy, and so on. You could, yes, undoubtedly be made to feel crushed.
Human beings are so made that the ones who do the crushing feel nothing; it is the person crushed who feels what is happening. Unless one has placed oneself on the side of the oppressed, to feel with them, one cannot understand.
In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march.
I feel bad for people in wheelchairs and people who have to use crutches.
Shirin Farhad' is a romantic tale of an unmarried couple who feel they can live together forever. Having crossed the marriageable age, what happens to them forms the crux of the story. The movie has several comic sequences with an emotional touch to it.
I feel upsettingly de-natured. If Penelope Cruz were one of my nurses, I wouldn't even notice.
Why is it you feel like a dope if you laugh alone, but that's usually how you end up crying?
