I think most people can relate to the feeling of love spilling over into obsession.
When you arrive in Hiroshima you can look around and for 25 and perhaps 30 square miles you can see hardly a building. It gives you an empty feeling in the stomach to see such man-made devastation.
Had more confidence than I probably should have in high school. But I do remember feeling like I wish I could physically mature a little faster, fill out. In college it started to happen a little bit more, and my confidence started to grow - then I got out to L.A., and that got squashed immediately.
I think that for me, personally, a lot of my choices have been to do with my own issues of not feeling safe as a child and feeling a sense of stability.
You can never come into the spring feeling like you've got a guaranteed spot. Once you do that, you kind of get stagnant, and someone's going to pass you up.
Dancing has a continuity of its own that need not be dependent upon either the rise or fall of sound or the pitch and cry of words. Its force of feeling lies in the physical image, fleeting or static.
There are days when I struggle with wanting to be a full-time, stay-at-home mom, and feeling guilty about that because I work.
If you're writing about what you're feeling about something, then you're in good stead.
A great JRPG captures that feeling of going on an unusual adventure, of bringing a ragtag group of heroes from famine to fortune or steering cold-hearted villagers away from indifference.
I'm sticking to the script, I'm putting that organic feeling back in the game.
What I wasn't prepared for were the feelings of anxiety that it stirred in me. I wasn't prepared for the initial feeling of I don't want to have to do that again. I was scared.
You want to know how I'm feeling? Just look at me, and I'll tell you how I'm feeling. Nothing is hidden. I'm all out there. I cry like a baby, I get upset, I stamp my feet. I'm not stoic.
Whenever we come back from another project, we're always so stoked to see each other and play with each other again. I really feel like that's been the key to why we're still together as a band. I remember a period five or six years ago feeling a little burnt out and wasn't sure whether I wanted to keep doing it.
Seeing Wolf Eyes for the first time - I was fifteen. I had this crazy feeling that this my generation's Stooges. I got infected by that energy.
There can be moments onstage - but sometimes in a movie, too - where you just feel you're in a golden space. You're in this strange world where everything you do makes sense. And it's funny: the audience is right in it with you, and the other actors, and you get these rare moments of feeling at one with something. You hear voices in your head.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
My own strong feeling was that the gay liberation movement really got national attraction in the truest sense of the word later in the '70s, in the '80s, and especially in the '90s.
I know that when I talk to my parents and my friends, there's a strong feeling of the world out of control and damaged.
I have an increasingly strong feeling that all of us, myself included, too many times make too many statements and don't ask enough questions.
I like all those painters who loved and had a strong feeling for nature.
