'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
My ultimate goal is my son, and a lot of other kids, to not have to grow up the way I grew up. I just give them a different outlook on something. I want to let them know they can have this much fun by doing something legal like me rapping for instance.
A business has to be involving, it has to be fun, and it has to exercise your creative instincts.
I insulted people. I had to - they deserved it. They didn't have any talent. They stunk. They were horrible! But it made it for a fun show.
Really, running an underdog, insurgent political campaign against an opponent many folks think can't be beat, and going out and meeting folks and talking about your ideas for America and Washington, is a lot of fun and a real privilege.
We thought it would be fun to try to design a show that would work well internationally and so that' s what we're intending to do with Fraggle Rock, and we are indeed now selling it around the world.
Actually, with 'Truth of Touch' I wasn't even intending on making an album. I was just having fun. I had about a six-month period of down time, and I'm not very good at sitting around. So I kind of started going into the studio and having fun with new core mendin sounds.
John Malkovich is such an interesting person and such a fun actor to work with.
My favorite thing about acting is that I can play all kinds of different people. Frankly, I don't consider myself a very interesting person, so the characters I play are usually much more fun.
The FIS, BSF, and British Olympic Association have been trying to stop me competing internationally. They don't like the fact that I laugh and have fun and entertain the crowd.
It's been a lot of fun from script to script to get inside the mythology of 'Grimm.' We've been given a lot of freedom to explore the mythology as well as the backstories and interpersonal connections of the characters.
Teasing is often healthy and fun, not to mention an important part of interpersonal and individual development. But when it's abused, 'just kidding' contains a disturbing logic: If I didn't mean it, it didn't happen.
I love to leave the interpretation of my music up to the listener. It's fun to see what they'll say it is.
I follow my inspiration to wherever it goes. I do want the fans to feel the fun and excitement about it, and I like for people to be able to make their own interpretations about my work.
It's fun to tease people about where fiction and life intersect.
A good interviewer is able to ferret out what the applicant is really passionate about. Ask them what they do for fun, what they're reading, try and find out if they have a life outside of work.
I've done a lot of interviews of the last few years, and I've actually started a list of questions that it would be fun to ask an author, but no respectable interviewer would ever ask. Since I'm not respectable, I'm going to start doing interviews with some authors I know, just for fun.
Whenever I think of how much pleasure I have interviewing scientists, I remember that they're having the real fun in actually being able to do the science.
I wanted to make an explicitly educational comic that taught readers the concepts I covered in my introductory programming class. That's what 'Secret Coders' is. It's both a fun story about a group of tweens who discover a secret coding school, and an explanation of some foundational ideas in computer science.
I would say invisibility would be sort of a fun power to have just to see what it was like to move through the world and not be looked at.
