Sometimes people come to my shows and think I'm a Christian artist, and they put their hands up in the air, like they do. But first of all, I'm a Jewish girl from the Valley, and I'm from Los Angeles. It's funny to be misinterpreted.
I'm a misplaced American, but don't know where I was misplaced.
Anyone who says he can see through women is missing a lot.
To label me an intellectual is a misunderstanding of what that is.
Spinners are a funny breed. If they're playing on seaming pitches they moan and if they're about to play on real 'Bunsen burners' they reckon the pressure is on them.
Sometimes I can't believe I'm going to be 60. I always say there's no point moaning about getting older, when there's nothing you can do about it. But still, I do find it quite funny. I look at that number, 60, and I think, 'Really? Me?'
The only time I get sick of making people laugh is when I'm in a non-writing-joke mode, and I just can't seem to come up with anything new that's funny. That's a tough place to be as a comedian.
I've been too funny in my life to have to play a character who's... moderately funny.
What's funny about the slacker thing, people project an image of what they think a musician is: young, slack, unemployed - like a really romantic idea of a poet, writer or musician - which isn't really true a lot of the time. I don't reckon you would know anything about me if I wasn't moderately hard-working.
I think serial monogamy says it all.
I think I was the only person in my experimental film class doing comedy. But my sense of humor and a lot of comedy that I love is quite surreal and strange, you know? You could argue that 'Monty Python' is experimental film. It just happens to be really funny.
If a song is funny and absurd, and it sounds great, it's just going to be that much funnier. And there's no better example of that than 'Monty Python.'
I was greatly influenced by 'The Goons' and 'Monty Python' reconstituting what comedy was - it could come from a funny word, not just a set up and a pay-off. I liked the zaniness; they were satirical, slightly saucy and very literary in their references.
My father would take me to the playground, and put me on mood swings.
I think it's funny, if you look at Brian Cage, the guy calls himself 'The Machine.' 265 lbs and spends a lot of time in the gym and eating chicken breasts. The guy comes in Impact Wrestling and instead of going after a guy like Moose or Killer Kross, who is he beating up? A bunch of guys half his size? Walking around like he's a big man.
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and offer a solution. It can be a funny solution. I like to see the thought process.
I try to write stories that are thrilling and full of mystery and funny all at the same time, stories that raise moral questions but come up with very few moral answers, stories that emotionally touch readers through the characters.
Ordinarily, I'd claim that I'd never write directly about my children, but the opening conversation of 'Peter Elroy' is a verbatim conversation that my children had that I just loved: morbid, funny, passionate, and obsessed with the truth of things - all natural qualities of children that I'd like my work to contain.
It took forever for me to get work because I was a political comic, and now it's become good business, and God knows how long that'll last. You have to do it night after night after night to kind of make it. I still find myself on 'Piers Morgan' or on some show and I think, 'I hope this is funny.'
There are a lot of funny motels. There was one motel in the middle of nowhere: it was real plain, but it had a gigantic green monster, something like the Creature from the Black Lagoon, standing next to this lake.
