I have worked with three female first assistant directors - on 'Hostiles,' 'Gone Girl,' and a short film, 'The Human Voice,' and they have all been exceptional.
I'm a big girl, but I have a delicate constitution emotionally. If I've been humiliated in some audition, I just cry all the way home and think, 'Oh my God, I suck.'
I told my parents that I wanted to work on menstrual hygiene because I believe a girl can achieve everything if she is healthy.
I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
I have written a book called 'In the Wonderland of Numbers.' It's about a young girl, Neha, who is very poor in mathematics, but in a series of illusory experiences, she becomes a great mathematician.
I'm kind of the model that everyone thought would always be the Guess, 'Sports Illustrated' girl. Then, when I started to do high fashion stuff... people were like, 'Oh, so we can have a girl with, like, thighs and a butt in a Tom Ford campaign. Cool.'
I don't love Photoshop; I like imperfection. It doesn't mean ugly. I love a girl with a gap between her teeth, versus perfect white veneers. Perfection is just... boring. Perfect is what's natural or real; that is beauty.
From being a little girl in the projects, going through all of the mess that I was going through, to ending up at the Inauguration for the first African-American president, I'm speechless right now because I never thought I'd - I never ever - I couldn't even see that far. Even when I ended up in the music business, I couldn't see that.
There was one incident at a movie theater where my girl got mad at these guys who were talking behind us. I never looked back there, but she was like, 'Will you all just shut up!' And I just got up and moved three rows in front. She was like, 'What are you doing?!' I was like, 'You better get up here! I don't play the fighting games.'
A girl must have an indefinable magic, real character, a strong sense of self. Her role is to respond to the brief of a photographer or communicate the vision of a designer - while making whatever she does look utterly effortless and whatever she wears utterly seamless.
That power of the individual person - just the girl - is infinite.
I was mostly an indoor girl at university. Where other students did drama or music or sport alongside their degrees, I wrote. I used to work on essays and classwork during the day and 'The Bone Season' in the evenings.
Every once in awhile, a girl has to indulge herself.
Even as a little girl, my mom never wanted me to watch BET, but when I was at my grandparents' house, and my older cousins were there and I could watch it, I was infatuated with the idea that I could one day be a DJ or the host of a show.
Moms, you are the first and most influential role model in your girl's life. Use that power.
It was extremely difficult to suppress my emotions, because my character in' A Girl at My Door' goes through so many infuriating situations. It was a lonely process having to portray someone that acts tough but is deeply hurting inside and is unable to express that.
What I was told by my parents was that, you know, take this inhibition out whether you're a girl or a boy. Basically, pursue your dream, and as long as you're a capable and hardworking human being, you will be able to follow and fulfill your dream.
I'm always a little innately shy when I first talk to a girl, and I think I always will be! But I think that's a good thing. You don't want to lose that.
We don't know: some little black boy or girl growing up in the inner city might grow up and cure cancer for all of us - if we let them do it.
