People ordinarily don't think of their orchestras as important as we'd like them to be. People don't care about their friends and neighbors who sit down to commit excellence three or four times a year, but they will go see the tall bald guy with three names from television.
When we go to sleep ordinarily, we're doing something really private. It's kind of an intimate, private connection with our sort of physical humanity.
At the end of four years' time, at graduation, we were down to 12. At our reunion that we had several years ago, only 1 out of the 52 actually made it to ordination and priesthood. So there you go, there's your numbers.
We will do whatever it takes to keep Tom Herman at the University of Houston. We're not going to lose Tom Herman because of money. If Tom Herman wants to go to LSU or Texas or Oregon or Baylor or wherever else, we cannot stop him from doing that. But it's not going to be because of money.
I was set to go to Oregon to play college baseball and football.
My biggest problem with organized religion is that God has been imagined as a human being with emotions. I feel if you let go of that, then it's possible to see God as a force, to connect to him or her spiritually.
Not too many people in cocktail parties are aware of Bioprinting and growing organs, or the coming technological singularity; I've seen very little philosophical speculation about how far we can go, how much we could achieve.
Well, let's go back to the original intent of Social Security. It is an insurance contract.
I do go against my leadership all the time because I stand firm on the four questions that I ask about all legislation. The first, is it constitutional according to the original intent? The second, does it fit the Judeo-Christian Biblical principles that our nation is founded upon? Third, do we need it? Fourth, can we afford it?
I like being in a recording studio. I like watching a song go from the simplicity of the original music.
I do know this: God does answer your prayers, but it's not always in the way you expect. God knows what's best for us, though, so there's no need to worry when things don't go how we originally wanted them to go.
I'll be a Quebecker-Canadian. I'm from Quebec, and every time I go to a country, I say that. It's my roots, my origins, and it's the most important thing to me.
There were so many times I was called to go do a match and drive 8 or 9 hours from North Carolina to Orlando, Florida just to go do the NXT extra spots and then nothing, which would break my heart every time, but I was just very young then.
I wore No. 25 in college, so naturally when I arrived in Orlando, I wanted that number, but Nick Anderson had it. I decided to go with No. 1 because of my name, Penny.
The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
If I could steal someone's dream myself, I'd have to go for one of Orson Welles.
I'm disappointed in acting as a craft. I want everything to go back to Orson Welles and fake noses and changing your voice. It's become so much about personality.
I think that if you go about making movies to win Oscars, you're really going about it the wrong way.
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
There isn't any one material that's mine. It all depends on the context. For example, I did a house that had the most exquisite marble applications. That sounds ostentatious, but it wasn't, given the context. The color white I subscribe to extensively. I love thinking about color, but I often go with white.
