It's been made clear to all of us that a player should never leave the playing field and go into the stands.
Every game, we're going to go for it, so when we get into playoff time, it's not like, 'You've really got to ratchet it up. You've really got to do something different.' Then what have I been doing the whole time?
Every year you go in and you obviously want to win a World Series, at least make the playoffs.
It's always in your mind, because that's the goal - you want to definitely be in the playoffs. But at the same time, it's not easy to do. It's no easy task, and the challenge is to go out and try to clinch that, by any means.
And here in Los Angeles, once again, I'm going to go down and be a witness. There's a guilty plea. I don't mind being on the witness stand, but I think they mind it a lot.
I think it's a problem when something's a dream because it'll never live up to your expectations. It's better to go somewhere thinking it'll be horrible, and then be pleasantly surprised.
Nothing pleases me more than to go into a room and come out with a piece of music.
If I must choose between healthy and tasty, I go for the second: having only one life to waste, it might as well be a pleasurable one.
We go on in our pleasures thinking they're going to last forever.
In view of our public pledges, we public officials can never again go before the public merely promising election reform. The time for promises is past.
The crowd, still shouting, gives way before us. We plough our way through. Women hold their aprons over their faces and go stumbling away. A roar of fury goes up. A wounded man is being carried off.
I never imagined I'd go into acting, but I always loved drama, and when I was 16, I discovered the Library Theatre up the road. So I plucked up courage and asked if I could watch rehearsals. It was like Heaven.
If you don't feel comfortable in a plunging sweater, skin-tight jeans and killer heels, go home and change.
When I was doing 'A Disappearing Number' in Plymouth, we had to go on an hour and a half late, and I still hadn't written an end, so we had to make one up, and then we had to go out literally with our pants round our ankles.
You know, when I got started on television in the '80s, you would go to the costume department, and if you were a female they put you into a skirt. And you had a pocketbook, usually a shoulder bag.
Being the Republican front-runner was three of the most exciting hours of my entire life. I've come to grips with it, and the only lasting effect is that I refuse to go on a stage that has more than one podium on it.
Beauty is the result of having been through an experience all the way through to the end - therefore it has a poignancy. Beauty that is singular always comes from following an experience to the point where you can go no further.
You don't lead by pointing and telling people some place to go. You lead by going to that place and making a case.
You become a leader in times of trouble. Leaders emerge when things don't go well. When everyone else starts pointing fingers, a leader takes responsibility.
You can't score if you're turning it over. It's like a punt. If you go out and you punt 12 times, you're not scoring points. That's not good. So, when you turn the ball over and throw interceptions, you're giving the other team more opportunities and your team less opportunities.
