I did not want to go out at 5:30 in the morning with my stocking cap and my navy pea coat on and shoot lines and grades for the rest of my life.
As a kid, I thought movies were boring. My parents would hire VHS recorders for the weekend and watch Bollywood movies. I'd get bored and go out to Stoke Newington common to play football.
I am stoked to go over to Japan and experience that culture.
Sometimes a line enters your head, and you're so grateful for it. You go online to check to see if anyone wrote it before you. You must have stolen it.
Be prepared to be bombed. Be prepared to go back to the Stone Age.
I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.
I used to build lofts in SoHo back when there was nothing there. I had a stoop on West Broadway between Prince and Spring. My partner and I would sit there, eat dinner, and watch the world go by.
One girl used to call me Brownie and tell me to go back to my own country. At lunch, I'd get a bag of chips from the vending machine and eat it in the storage room so I wouldn't have to see her.
There is a department of treasury in Heaven, which says God is watching over everything you do and you are storing up eternal treasure that will go so far beyond what we can even imagine.
'Rocky' is a movie that just happens to be about boxing. It's really about characters and story lines and relationships and all those things, and the backdrop is boxing. You can go back and watch the final fight in 'Rocky' a thousand times. If you dig that movie, if you like the characters, you'll watch the whole movie over and over.
When I'm plotting out a book, I use a storyboard - I'll have maybe three lines across on the storyboard and just start working through the plot line. I always know where relationships will go and how the book is going to end.
I don't have any specific criteria on doing a drama based on where and what country. If I like the storyline, I'll go for it.
Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it.
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
I don't know what to do or where to turn in this taxation matter. Somewhere there must be a book that tells all about it, where I could go to straighten it out in my mind. But I don't know where the book is, and maybe I couldn't read it if I found it.
I started working with Bob in 1965. We did go through a lot of changes from 65 to 74, a lot of changes. By 1974, everything had straightened itself out.
I write as if I'm someone reading the book - often people ask if I write one strand first and then go back and seed in the other, but I don't think I could keep track of who knows what, and the tension would come out wrong, so the answer is no - I write it more or less in the order you read it.
To me, NASA is kind of the magical kingdom. I was sort of a geek, and you go there, and there are just these wondrously strange things and people.
I would often take this bus and go to a nearby village where I had hordes of animal friends. I was hardly around four or five years old then. The conductor was so used to seeing me hop on to the bus and get down at the same place, that he never asked any questions. The strangest part is, he never asked for a ticket either!
In the morning he was lying dead on one of the beds fully clothed. He was dead. I got the impression he wanted to go, and I must have killed him. I can't remember strangling him. I just sat there shocked.
