I love the live performances and Las Vegas. I also like making films that are being discovered by another generation. Having been a teen idol of the '60s is great because you realize you left your generation with a smile and good memories.
One of the things that defines YA is a really strong narrative. Adults love YA because, at the end of the day, they're good stories and page-turners. The other element is emotion. The teen years are a very emotional and intense time, and I think it's a time we that we can all relate to and remember.
I don't want to just be a teenage star. I want to be known by parents, and I want them to go, 'Oh I love that song; he's really good for his age. My daughter loves him, but I love him, too.'
When I was young, there weren't any teenage girls I could relate to in film. They were all put in boxes: the virginal good girl, the really sarcastic asexual one. I wanted to do something that represented how I felt then.
When I went to college, we had a very good local following, but stations only televised two or three NCAA games a season. And when I went to Europe, once in a while we had a good crowd, but usually not.
Philadelphia is a great market for local TV news. Both KYW and Channel 10 have had good runs. But Channel 6 doesn't give you a reason to turn the channel. I have such profound respect for Jim Gardner. He is Philadelphia television news.
Some news managers have been slow to grasp that good television news is always substance over form.
I'm not as good a singer as I am an actor. So that's why I - the stories I like so much is because I've been a story teller for a long time. I started as a singer and found out I didn't have a very good voice. That's the reason I went into acting.
I'm a taker in terms of jokes. I love to hear a good joke, but I don't retain jokes. I'm not a good teller of jokes.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
Flying into a storm, even its outer edges, did not seem like a good idea to me. And this was no ordinary tempest. Everyone on the bridge knew what it was: the Devil's Fist, a near-eternal typhoon that migrated about the North Indian basin year-round. She was infamous, and earned her name by striking airships out of the sky.
I don't think we should ever ban anyone based on their religion. That is un-American. It is not good. What the president is doing, everybody needs to realize that what he's doing is saying, 'Let's take a step back. Let's temporarily pause.'
People like to hear songs that they can dance to. Even if they're sitting, they like being made to want to dance and move. By me being a dancer, I know how I'd dance at certain tempos. I was always good at it.
Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
Bill Mitchell said he really liked it. But when he asked the other four their opinions, we all took one look at ourselves in our raggedy long winter coats and cracked up. We knew we weren't likely to tempt anyone or anything, but what the hell, it was as good a name as any.
Anybody can be good in the country. There are no temptations there.
It is good to be without vices, but it is not good to be without temptations.
While it may be tempting to bask fully in the glory of success, remember: When a CEO takes too much credit for the good, they will receive far too much criticism for the bad.
Later, I discovered there was a lot of work to being good in tennis.
You don't need to know who's playing on the White House tennis court to be a good president.
