I've got lots of weird illustrations of me from Japanese fans.
Standard English is very imperialistic, controlled, and precise; it's not got a lot of funk or soul to it.
I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
I got lucky: I love my in-laws.
I got arrested for a dumb, dumb incident my second year in the NFL.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
I occasionally got called the Rush Limbaugh of Indiana, but most people knew that my style was different.
I used to always prefer to text, and in fact got indignant when people called. This was totally irrational.
Picasso is still influencing me. Of course, I haven't got that kind of energy, or skill.
Michael Lewis, author of 'Moneyball,' got special access for a profile of Obama for 'Vanity Fair' - but Obama insisted on redlining his quotes.
I was an artist before I got into interiors.
There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that.
Look at the walls of Pompeii. That's what got the internet started.
When I got the invitation to be part of 'The Ghost' or 'The Ghost Writer,' as it's now known, from Mr. Roman Polanski, my interest level was very piqued. I was very excited and pleased to get such an offer from Mr. Roman Polanski.
If he invited you out, he's got to pay.
On the iPhone I tended to draw with my thumb. Whereas the moment I got to the iPad, I found myself using every finger.
I'm not ashamed of it, but people would think I'm ashamed of Bieber. I got Bieber on my iPod.
I wanted to go to Rome. I got an offer to do an Italian film and I went.
I got the performing itch.
When I've got time off, my feet get itchy really quickly.
