I'm makin' a lotta dough, everyone knows who you are, and who the hell cares whether you're typecast or not? Also, there's something wrong with complaining about being typecast in something you really enjoy doing.
I think you can hear the Delta blues thing in something like the intro to 'Heaven in This Hell,' which has that down-home acoustic riff.
Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed.
I'm pretty rigorous about the drafts I turn in. I don't turn in something that's so ungodly they go, 'What the hell is this?'
I put a hell of a lot of myself into 'Love Never Dies,' and I felt quite drained afterwards.
When you're making a movie, you have those days that you really look forward to, and it's a little bit like Murphy's law. The days you look forward to become your hell days. The days you're dreading become these amazing days.
I was always a happy kid. I'd play the piano fairly well. I did all sorts of things fairly well. But who the hell wants to be happy all the time? It's a miserable state to be in permanently. Can you imagine how dreary that would be?
I believe all drunks go to heaven, because they've been through hell on Earth.
There's absolutely nothing irrational about me; insane, yes, irrational, no. But my dumbest fear would be spinning in the magic tea cups. Who the hell wants to pay to spin around like a bent yoyo for laughs?
What the hell is pilot season? It's an artificial boundary that makes no sense, and it makes you do things under duress.
Being stuck in adolescence - that's a hell. 'Peter Pan' is a dystopia, and we forget that. Neverland is a bad place to be.
I was gifted at birth with this talent, and I've tried to honor it all my life. And I did - through hell and storms and tsunamis and earthquakes. I've been through too much not to know that giving back is everything.
I have been gigging around Glasgow and Edinburgh since I was 12. I played in pubs at that age, even though I obviously was too young to be in them. So I used to hide in bathrooms, come out and play my set, then get the hell out as quickly as possible.
Hell has been described as a pocket edition of Chicago.
We seek him here, we seek him there, Those Frenchies seek him everywhere. Is he in heaven? - Is he in hell? That damned, elusive Pimpernel?
Well, pioneers always suffer. I don't care who is the first to embark upon things. For instance, settlers that settled the West, Western Canada and the U.S... they went though hell doing it, but it had to be done.
When a person is going through hell, and she encounters someone who went through hellish hell and survived, then she can say, 'Mine is not so bad as all that. She came through, and so can I.'
The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioned our characters in the wrong way.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
I'm always slightly envious of people who become extremely rich without anyone knowing who the hell they are, like financiers.
