I hate it. I resent it. I refuse to tell anybody that I am a Medal of Honor recipient. I hate it.
For me, representing India, as much as I can give, I need reciprocal things to be given to me. If I am willing to offer tariff concessions on goods, I want something to be offered by them to boost India's services.
A Herd of Turtles' is the only song on 'Behold Electric Guitar' that is not strictly instrumental. But instead of singing, I am reciting a poem. My poem is about overcoming challenges.
I believe that I am past my prime. I had reckoned on my prime lasting till I was at least fifty.
I don't believe in providence and fate, as a technologist I am used to reckoning with the formulae of probability.
I want to reclaim who I am.
I'm a quiet person. It's only when I am cued to talk that I talk. Otherwise, I'm reserved and a bit of a recluse.
The press has always written that I am a recluse and a mysterious woman, but I am more down-to-earth than they think.
I wouldn't call myself a recluse, but I am quiet and reserved.
I am just a quiet reclusive person who has managed to hang around for a while.
I am not reclusive. I just have a private life.
I am becoming more recognisable in some ways, and some aspects of my privacy are going. But there's an upside: I have more opportunity to tell bigger stories and connect with more people. And I really relish that responsibility.
My looks aren't something that come dazzlingly through in everything I do. I can be made to look one way or the other fairly easily... I am still not recognised on the street that much.
I am going to get world-wide recognition from whoever wants it, and whoever wants to challenge me.
I am a pretty recognizable, like, I walk through the airport or something, you are going to spot me right away.
I am such a coward when it comes to political arguments. I tend to sort of recoil rather than engage.
Even though I am not going to coach in the future, if I had to pass on a recommendation, it would be to base your game on having a strong defence.
I am reconciled to my death, but I detest the mode.
When I finished 'Cocktail,' it took me a very long time to get out of Veronica's mindspace, behaviour, and zone. I had to reconnect with who I am. It is a similar story with 'Bajirao Mastani.' Some films demand that.
The natural does not have to be a specific representation. I am now working on a thing which is a reconstruction of a starry sky, yet I make it, nevertheless, without a given in nature.
