I am not a Marxist, but I place myself resolutely at the left.
I've been actively trying to extend my reach beyond WWE. I wanted to do some non-action related projects, stuff that will resonate with different audiences who might not know who I am.
My message of common-sense solutions is resonating with people. People around the country are starting to know who I am and starting to identify me with solutions, not rhetoric.
I am very resourceful, as any woman would be.
Being resourceful and creating is a big part of my Lithuanian culture. My grandfather is part of who I am, too. He was a professional wrestler. He had a very functional, very slick, long frame.
I will safely say that I prefer singing a song in a stretch if I am allowed to. A lot of times, I do choose to and do sing the asthayi and antara in one take, respectively. And I give a few takes until I feel it is perfect.
I am very different to how people think I am. It's the characters I play that they are responding to.
I'm a bit of a dude. I like meat. But I am buying it more responsibly, where it's more sourced responsibly.
My greatest dream is to make a film on 'The Fountainhead,' which I have been restraining from doing because it is so much in the mind, and I am yet to be able to decode that.
I am not against migration. It is simply pragmatic to restrict migration, while at the same time encouraging integration and fighting discrimination. I support the idea of the free movement of goods, people, money and jobs in Europe.
I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.
I charge by the hour, or I am on a retainer. We try to work with the client.
It's difficult for me to really temper my personality, but I am trying to be a little more sensible about it. If I really lose my temper, I go to my room and scream and shout, but I try not to lose it on people any more. I've never said something mean just like that. I've only said things in retaliation.
I am philosophically opposed to raising the retirement age. I misspoke and said I was not philosophically opposed.
Perhaps I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn what I should simply recognize, learning a mere fraction of what I have forgotten.
I am better able to retract what I did not say than what I did.
And now, dear sister, I must leave this house or the retreating army will make me a prisoner in it by filling up the road I am directed to take.
I am a writer of books in retrospect. I talk in order to understand; I teach in order to learn.
I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.
I suffer every moment of every day that I am not with my son. All I want is to be reunited with my son.
