Real men know how to move as real men. Real men won't allow themselves to be disrespected. Real men aren't punks.
Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
Is the modern social pattern of unending change and movement the cause of two modern diseases, insecurity and dissatisfaction? How lucky Thomas Hood was to be able to write, 'I remember, I remember the house where I was born.' I don't even know what mine looked like!
I don't know any writer of fiction who enjoys trying to point out or dissect whatever they produced with strangers and let them go through it and pick apart what's real and what isn't.
Human freedom increasingly depends on who controls what we know and, therefore, how we understand our world. It depends on what information we are able to create and disseminate: what we can share, how we can share it, and with whom we can share it.
My nerves tend to dissipate once the match starts. When I know I've practiced as much as I can and I do my best and leave it all out there, I feel OK no matter what happens.
We do know the welfare system, starting in the '60s, basically encouraged the dissolution of marriage, encouraged families to separate in order to get the benefits.
The dissolution of the Oslo Accords would serve as the official act validating what we already know - that this failed framework is totally irrelevant in 2013.
There have been some friendships lost over this. That's the most difficult for me. I find it very uncomfortable to know that I was at one time close friends with someone, and because of jealousies and misunderstandings and so on, these friendships have dissolved.
I often visited a particular plant four or five miles distant, half a dozen times within a fortnight, that I might know exactly when it opened.
My father was an expert hunter, so we ate a lot of wild game when I was growing up in Montana. That helped broaden my palate generally, but I know it informed my distaste for factory farms and unspectacular commercial meat.
I know that one of the distinguishing things was I looked like I could hold a gun, even though I'd never held one before and I'm physically able to do the martial arts and all that stuff.
We know that the far left and their media allies can't beat us on the issues, so instead they'll distort our records. Let's not do the job for them, OK, Republicans? OK, independents?
I've been so lucky to have done two spacewalks. If you looked at your wristwatch, I was outside about 15 hours, which is about 10 times around the world. And, you know, there's a whole time dilation, distortion thing.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.
I know that when I attached my sense of identity a little too closely to my work that I might be distracting myself from feelings of unworthiness. It wasn't the number of hours I worked or how bloodshot my eyes were that defined the difference. It was something internal.
I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.
I'm always distressed by the supposedly bright people who don't know what they are.
I've got a distribution system that goes to 170 countries. If I acquire properly, you know, you may be successful in one or two countries, or one place; I can scale, and that's part of the value that IBM brings.
I generally sell my records online or at the show. You can undersell the distributor and the stores, and people know what they're getting cause they've just seen you live.
