Being a grandmother is one of the least strange things in my life. It makes more sense than a lot of things... like photo shoots!
And, strangely, this one of the few things in life that the third, the latter, the buy with our eyes closed has actually done better than everybody else.
Sometimes I write stuff that strangely predicts what's going to happen in my life.
What makes climbing great for me, strangely enough, is this life-and-death aspect. It sounds trite to say, I know, but climbing isn't just another game. It isn't just another sport. It's life itself. Which is what makes it so compelling and also what makes it so impossible to justify when things go bad.
When I was young I read 'L'Etranger' by Camus, and it made me aware of the strangeness of life.
Whatever brief delights it provides, mere strangeness in poetry and prose eventually leaves us cold, especially when we suspect the writer is stretching for effect to avoid the actual life before his eyes.
This is the strangest life I've ever known.
I'm good at playing the emotionally strangled person. The woman who is in the worst place in her life. That's me!
For me, painting is a way to forget life. It is a cry in the night, a strangled laugh.
The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'
As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a journey that revolves around an actress's life and the showbiz.
Two of the first plays I saw after I arrived in Britain were 'King Lear' in Liverpool, and 'Antony and Cleopatra' at Stratford. One was produced with hardly a backdrop and the other with gigantic scene changes. I was impressed by what connected the two: the words and their life beyond the stage.
My life and the life of my family has to do with exploration, with adventure. My grandfather was the first man in the stratosphere, and my father was the first to touch the deepest point in the ocean... For me, adventure and exploration is something in the blood.
The Beatles were in a different stratosphere, a different planet to the rest of us. All I know is when I heard 'Love Me Do' on the radio, I remember walking down the street and knowing my life was going to be completely different now the Beatles were in it.
I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker. This is your box, and you're not allowed to stray outside of it.
I'm getting to a point where everything is becoming streamlined in my life. I'm learning how to stand onstage for two hours and play in front of thousands of people as if I am completely in the moment every moment.
I like it when a man puts thought into the kind of restaurant we're going to. That doesn't mean it needs to be fancy - some of the best meals of my life have been having a taco on a street corner.
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
Here is bread, which strengthens man's heart, and therefore is called the staff of Life.
