I think there's always been, to some degree, a misunderstanding about what science fiction is all about, in that it has been judged by the general public as being literature of prediction, and it isn't.
As any student of literature knows, the books that last are often not the books that are most popular when they are written. Both 'Moby Dick' and 'The Great Gatsby' were complete failures, critically and commercially, when they first appeared.
To provoke dreams of terror in the slumber of prosperity has become the moral duty of literature.
If we doubt the power of literature and art to civilise, how come no one has ever been mugged by a person carrying a well-thumbed copy of 'Middlemarch' in his back pocket?
The multiculturalism of Britain is one of our greatest strengths in music, literature, and visual art, but the TV and film industry doesn't tap into the multicultural talent pool in the U.K. as much as they do in the U.S.
The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.
As an artist, my wheelhouse is 19th-century literature. I want to write realist novels in a Victorian sense, and the writers I admire in that style tend to do omniscient narration.
I teach a 14-week semester, and one of the things I do when I have to teach literature is, for the first half hour of the class, I have the students write the beginning of a new story every week. At the end of the semester, even if they have learned nothing about literature, at least they'll have 14 beginnings that they can take with them.
I'm never going to be in danger of getting the Nobel Prize for literature.
I'm an idiot who won the Literature Nobel Prize.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
Beginning in the 11th century, a less-fragmented Europe began to take shape, and what we now call medieval culture - in which literature and learning made a noticeable rebound - spread through much of the territory Rome had once dominated.
For me, baseball is the most nourishing game outside of literature. They both are re-tellings of human experience.
I think the writing of literature should give pleasure. What else should it be about? It is not nuclear physics. It actually has to give pleasure or it is worth nothing.
What I am going to write is the last of what I have to say. I will say that literature is the only consciousness we possess and that its role as consciousness must inform us of our ability to comprehend the hideous danger of nuclear power.
If I were to win the Nobel Prize in Literature - which I think it's fairly safe to say is not going to happen - I would still expect the headline on my obituary to read: 'Christopher Buckley, son of William F. Buckley, Jr., is dead at 78.'
Hipster Sexism consists of the objectification of women but in a manner that uses mockery, quotation marks, and paradox: the stuff you learned about in literature class. As funny as Dunham's 'Girls' is, it can definitely border on Hipster Sexism.
The cinema occupies an important place in the overall development of art and literature.
I was really exposed to great old-time literature - the classics, the poetic realists like Strindberg and Ibsen and all those guys. I was really inspired by all those guys. That's when writing became a primary focus.
Naturally I drew register a little exaggerated, in order to create something new in the sense of a sublime literature that sings of despair only in order to oppress the reader, and make him desire the good as the remedy.
