Touring can be tough; the crew and I travel everywhere by a big pink bus, and live in petrol stations.
I see the state of all of us who live, nothing more than phantoms or a weightless shadow.
I think that most of the children's writers live in the world that they've created, and their children are kind of phantoms that wander around the edge of it in the world, but actually the children's writers are the children.
We cannot rest until we make sure that our families can afford to live and raise their kids here, that our seniors can remain in their homes and afford their health and pharmaceutical costs.
I live in reality, and I know at any moment I could stop getting the phone calls and nobody wants to hear me sing or tell jokes anymore.
We now live in the era of fake consensus, or phoney populism, a condition in which galleries and homes are seen to succeed best where they manage feelings of non-difference.
That was the ultimate high, playing live. You feel like the Pied Piper, or a conductor, knowing how to take an audience up or bring them down.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
The taste of the times is, unhappily, to give to children something of book-learning, with a view of placing them to live, in some way or other, upon the labour of other people.
When I was a child, I was certain that I could remember what it was like to live on Venus; I could remember what it was like to live in the American Plains. I could remember. And it's ancient memory. We all have it. It's just that some of us access it more than others.
'The Borrowers' is the story of tiny people who live beneath the floorboards of houses and borrow from the occupants. I may have tried to pull up a plank or two because of it.
There is something basic about protecting land by taking it off the market. People should be able to enjoy where they live while at the same time protect the plants and animals around them.
We could live at the present day without a Plato, but a double number of Newtons is required to discover the secrets of nature, and to bring life into harmony with the laws of nature.
I used to be PlayStation only, but Xbox 360 is really cool, so we play 'Live' and 'Tiger.'
A playwright lives in an occupied country. And if you can't live that way you don't stay.
I just realized the best way to live your life is to just be you, as cliche as it sounds. I grew up trying to please everyone.
When money was plentiful, I was the first one who told you to stack it. Live your life with it. Now that money slowed up, I'ma be the one telling you to save it like they ain't gon' make it no more.
I live on a ranch in Utah for now, but I'm gonna move. I've got another ranch to move to, but its location is a secret. When I get there, I'm gonna plow the road in behind me.
I can't live without my dark plum eyeliner. I use liquid because it's easier on my eyes.
In sum, thought and reflection have been rendered thoroughly pointless by the circumstances in which modern men and women live and act.