If you're from Dublin, for example, chances are you live with your family, if you're lucky enough to, right up to the mid-20s. And most of the people I know, when they finally sort of set off on their own, they don't stray all that far.
My No. 1 key with fans is, honestly, to stay connected with them. I think it's important to talk to the fans online and respond to their questions. You know, live streaming, playing video games.
All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
I'd grown up in the U.K., where the surveillance apparatus went into place in the 1970s in response to the Troubles with the IRA. When I was a kid, we moved to Chicago, and I was surprised to see you could live in a large city in which you didn't have cameras on every street corner.
I live an hour from NASA's HQ in Washington, D.C., and sitting in a jam stresses me out.
It's clear that health care is a concern for people all across the country regardless of their political stripe or where they live.
Records have never really been my strong suit. I've always been a much better live act. I didn't understand the language of the studio. You sing differently in a studio. The language, the craft - it's just a whole different deal. I avoided the problem on my first record by doing a live album.
Some are so very studious of learning what was done by the ancients that they know not how to live with the moderns.
One very common thing is that often very brilliant children stop working because they're praised so often that it's what they want to live as - brilliant - not as someone who ever makes mistakes. It really stunts their motivation.
And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.
I'm saying that people who are enmeshed in situations of subjugation and have to live, have to find ways to project their dignity as human beings - in spite of all the efforts of those around them to degrade them - I'm saying that this music is the manifestation of the dignity in the life that has always been present.
I live on an old tugboat but feel that having a submarine would be the next level.
Why have we had to invent Eden, to live submerged in the nostalgia of a lost paradise, to make up utopias, propose a future for ourselves?
It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.
Most of us do more than subsist. From the vantage point of our ancestors, we live lives of almost unimaginable ease. Here again, we have innovation to thank.
We recognize that the majority of people who are food-insecure or hungry in the world live in rural areas. And most of them are small holder subsistence farmers.
We may never find a way to live in suburbia with deer as we do with raccoons, say, or squirrels. So for this reason, it's very important that we make sure always to save enough wild or open land so that they can live in their normal manner.
Life is a succession of moments, to live each one is to succeed.
I was so against social media for such a long time, but now I can't live without it.
I live for comedy. I've been doing it for such a long time. Comedy is hard in itself.
