One of my sayings is: look good, feel good, do good.
They're people who had flaws and who had affairs and had sex and had scandals, and very rarely do we look at the totality of our heroes' lives.
I think that being Jewish has generated an extremely strong sense of the importance of family. If I look at my Scandinavian colleagues, they don't have that urgency about family. All my movies are about that.
I was always a little unsteady in my self-belief. Then there was the Jewish thing. I love being Jewish, I have no problem with it at all. But it did become like a scar, with all these people saying you don't look it.
I love being Jewish; I have no problem with it at all. But it did become like a scar, with all these people saying you don't look it.
Put on a sweater and really great sneakers with a big scarf, and you'll look so stylish. For me, they are an everyday essential.
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
Scary movies depend on sound a lot to scare people. When I look around and see people are jumping in their seats, I think: Why? Why? Nothing happened!
That's the way I look at things - if you focus on the worst case scenario and it happens, you've lived it twice. It sounds like Pollyanna-ish tripe but I'm telling you - it works for me.
I think playing somebody who's schizophrenic is such a lesson as an actor. It gets you totally out of your comfort zone, because you can't rely on your technique, your external stuff. You've really gotta look inward, in a way.
How could you look at CM Punk and not think that he has the 'it' factor? I don't think I'm any great visionary or genius because I saw something in CM Punk; I think everyone else is a stupid schmuck for not seeing it in CM Punk.
You should look straight at a film; that's the only way to see one. Film is not the art of scholars but of illiterates.
We draft mostly high school kids and we have one of the finest, if not the finest, player development programs and coaching staffs and we teach our players the right way to play. We also have a game plan in scouting, and there are certain types of players that we look for.
Denim on denim was my go-to look for most of my high school years.
As a teenager, I was in the Carlisle schoolboy scheme and while I was excited to join at first, I look back on it as a tough few years.
I say all the time I think there should be some courses in the regular schooling system that isn't, even like about credit, things that matter later in life. I learned the harder way: 'Look, I got a $500 credit card in the mail, let's go shopping!'
A shy kid might look longingly at other kids playing in the schoolyard, afraid and unsure about how to approach them, but an introvert is perfectly content on her own.
If we look at things scientifically, there is more than enough food and material goods on Earth to take care of all people's needs - if managed correctly.
I did not even look at the scoreboard when my routine was done in 1976.
I have amazing teammates, amazing coaches around me, and all I have to do is go play as hard as I could and play for one another, play for those guys and not look at the scoreboard, not look at the time.
