I don't want to say that women who do use makeup or get breast implants or have fake nails are insecure. They're entitled to that, and they should do that if that's what they want to do. But for me, there are no answers. It's just a matter of preference and choice and fetish.
No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.
Free government is the most difficult of all government. But it is everlastingly true that the plain people will make fewer mistakes than any other group of men, no matter how powerful.
To get high data transfer rates in communicating information, you would love to use optical fibers. The problem is that light is extremely hard to manipulate. So we make a perfect copy of the information carried by the light. We transfer it to matter - the condensate.
The goal, I suppose, any fiction writer has, no matter what your subject, is to hit the human heart and the tear ducts and the nape of the neck and to make a person feel something about the characters are going through and to experience the moral paradoxes and struggles of being human.
Saying 'black lives matter' both literally and figuratively restores people's dignity.
God in the beginning formed matter in solid, massy, hard, impenetrable, movable particles, of such sizes and figures, and with such other properties, and in such proportion to space, as most conduced to the end for which he formed them.
I'm not afraid of being thought of as someone who is associated with film music. Why not? If it's a good song, what does it matter?
When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.
After a while, when the writer is mature, it doesn't really matter - not because of finances but because of reputation. It doesn't really matter how many awards you get.
No matter how the financial system is set up, no matter what the economic system is, as long as you have people, you're going to have financial crises; you're going to have bubbles that manifest themselves in the financial system.
No matter what business you're in, business is business, and financing and money are critical. I would have made a lot fewer mistakes if I had more schooling in that area.
Content financing is a difficult beast no matter what era of Hollywood we're talking about.
I'll always be a firefighter, no matter what.
I have a fireplace in my kitchen that I light every night, no matter what.
It's amazing how the biggest things in our lives - when we're around the fireplace and talking about them when we're older - the things that matter the most to us start off amazingly small and in a humble way.
I've always been a firm believer in mind over matter. If you don't believe you can achieve, your body will start to believe this and you'll be stuck.
It just seems to be a human trait to want to protect the speech of people with whom we agree. For the First Amendment, that is not good enough. So it is really important that we protect First Amendment rights of people no matter what side of the line they are on.
