I'm more relaxed. I know I have difficulties with some verbs. But if they get me, they get me. And if they don't understand me, they don't understand me.
I am an artist and have no right buggering about with verbs and split infinitives, which is what being a writer says to me.
When I encountered rich people for the first time, I discovered that not only do they holiday in places that are hard to find on a map, but that they also use the names of seasons as verbs. When they asked me, 'Where did you summer and winter growing up?' I would usually say, 'As a child? The same place I springed and autumned.'
What interests me is what you might call vernacular writing, writing that connects you to a place.
I guess my name was gonna be Michael Vernon Wells, and I came out, and my dad saw my nose. He always says that my nose right now is the same size as it was when I was born. So he had to name me Vernon. He's got a big schnozz on him, too.
I think, as an actor, when you're starting off early in your career, you're kind of just seeing what lands. But 'Veronica Mars' definitely primed me to look for surprising, dynamic women. It took me awhile to realize how cool that job was.
I think people expect me to dress a bit like Veronica from 'Shameless,' in vest tops and denim skirts.
I've always told Will, 'You can do whatever you want as long as you can look at yourself in the mirror and be okay.' Because at the end of the day, Will is his own man. I'm here as his partner, but he is his own man. He has to decide who he wants to be, and that's not for me to do for him. Or vice versa.
Versace has always been a brand that I've loved, a brand that has supported me. I've been wearing Versace for so long, I come in here and I have friends here, and they really support what it is that I do. Our partnership has been great.
I tend to be attracted to darker scents. I'm not a floral girl. But I do like this old fragrance I used to wear called Versace Red Jeans. I have an eBay alert that tells me when it comes back! I think it's more of a nostalgic association that I have with it because a boyfriend had bought it for me when I was, like, 16.
I remember being, like, 4 and 5 and playing in my mom's closet. But also asking questions like 'Who's this?' and 'What's that?,' and my mom explaining to me, 'This is a Chanel and this is a Versace.'
I hate to tell you this, but I did not even like visiting Versailles. I found it just too ornate. It was like a complete diet of cotton candy, marzipan, and whipped cream. It gave me the mental equivalent of one of those toothaches you get when you bite into something too sweet.
Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.
I needed to explore my talent and versatility and see if I had another side to me, another sound.
I think my versatility is a big strength. I don't think anybody can guard me, just because I'm 6'10 and can dribble and play point. If I have a little guy on me, I take him to the post. For me to be able to then pass the ball, it helps me a lot.
I'm not really a zombie genre guy; I'm not particularly versed in it. Doing 'The Walking Dead' sort of turned me on to the whole thing.
You can always hear me breathing during my verses, but that breathing becomes part of the music.
How terrible would it have been if I had come out with some watered-down version of who I am? People fell in love with the real me, and I still feel blessed that that was how the journey began.
I love doing six versions of any joke, so if they'll give me six takes, I'd love to do it.
I think I might not be the best vertical athlete, but I think I'm quicker than people give me credit for. That was the biggest knock on me coming out of college.
