Somebody has always wanted me to speak as a voice of black America, but it has dawned on me that I can only speak for myself.
Me don't dip on nobody's side. Me don't dip on the black man's side, not the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.
Did you know that the human voice is the only pure instrument? That it has notes no other instrument has? It's like being between the keys of a piano. The notes are there, you can sing them, but they can't be found on any instrument. That's like me. I live in between this. I live in both worlds, the black and white world.
Yeah, I did see where the people dissing me were coming from. But, it's like, anything that happened in the past between black and white, I can't really speak on it, because I wasn't there. I don't feel like me being born the color I am makes me any less of a person.
I like to have straight-up black coffee, but when you get it, sometimes you'll burn your tongue, or it spills on your hands, and you get third degree burns. I happen to be the kind of human being who doesn't want to sue coffee companies for money, so I just say, 'Hey, can you give me some coffee, but can you also give me like, eight ice cubes.'
I'm a traditionalist, so for me, black coffee is cool.
When Kubrick decided to go the black comedy route with his movie, he thought of me to give it that flavor.
Black Trans Lives Matter, to me, is really different. I think it speaks most directly to the marginalization and disenfranchisement of trans people within the black community.
I did not learn the flaws of the criminal-justice system in law school or college or by reading about it. I grew up knowing the flaws and how it was disproportionately impacting the black community. It's not academic for me.
I feel like my life experience is that of an outsider. Let me explain: my parents are from Panama, and they moved to the United States the year after I was born. They moved into an all-white neighborhood, where the previous black family had a cross burned on their lawn.
Somebody has to wear the black hat and give the audience someone to shake their fists at. They want someone to hate. And if that's what you want to pay me to do, I'm happy to do it!
There are the guys that wear the white hats and they’re painting the picture of someone to wear the black hat and they chose me - even though they don’t really know me.
If the only time you think of me as a scientist is during Black History Month, then I must not be doing my job as a scientist.
If you only think of me during Black History Month, I must be failing as an educator and as an astrophysicist.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.
I have one good characteristic: I'm a pessimist, so I always imagine the worst - always. To me, the future is a black hole.
I like science fiction and physics, things like that. Planets being sucked into black holes, and the various vortexes that create possibility, and what happens on the other side of the black hole. To me it's the microcosmic study of the macrocosmic universe in man, and that's why I'm attracted to it.
It's hard for me to speculate about what motivates somebody like Stephen Hawking or Elon Musk to talk so extensively about AI. I'd have to guess that talking about black holes gets boring after awhile - it's a slowly developing topic.
