When I walk down the boardwalk, people stop me and say, 'Oh, your house is the one that glows.'
'Boardwalk' has kind of exposed me to a different demographic. And it upped my skills in terms of the speed with which I can prep a scene, and I'm excited to apply that.
I love an arcade. I love a boardwalk game. But I also love a rollercoaster. Though I think the rollercoaster love comes from the fact that it took a really long time for me to reach the height requirement, so I promised myself very early on that when I reach that, I will not take it for granted.
I'm not boasting or nothing but a lot of people have a lot of love for me. I'm a legend, but I stay H and H, hungry and humble.
The way I rap isn't about me boasting. Rarely will I do that.
I would like a man now who is rich, and who can give me a boat - a sailboat. I want to own it and let him pay for it. My first love is the sea and water, not music. Music is second.
I respected it. I submerged myself into it. So on a lot of days off I would go and fish with the fishermen and the families that ran the boats. I would go work the fields with farmers. I would go and talk with farmers about growing particular products for me.
Nothing gives me as much pleasure as travelling. I love getting on trains and boats and planes.
Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.
I have one brother who is a surgeon, there's me, and my other brother builds boats.
Sometimes I wish I had taken the Bob Dylan route and sang songs where my voice would not go out on me every night, so I could have a career if I wanted.
I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.
Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
Bob Hope was totally regimented. I go in and say a line like, 'Hi Bob' and I'd have to do it five times, and then Bob would take me to the writers to say the line different ways. He wouldn't let me ad-lib.
I'm a huge Bob Hope fan, up until about the late '50s. I've seen so many of his movies up until then, and they're a big influence on me and a big influence on Woody Allen, who is basically just ripping off Bob Hope for his first five or six movies.
A lot of my comic influences are distinctly American: Woody Allen and Bob Hope, for example. They were always the underdogs who were using wit to sort of battle their way through. And it seems to me that a lot of contemporary U.S. comedies are shot through with losers. None of the characters in 'The Big Bang Theory,' for instance, are studs.
I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.
As a kid growing up in Latrobe, PA, I could dream about being an Olympian like Jesse Owens or Johnny Weissmuller. I could also dream about being a great golfer like Bobby Jones or Byron Nelson. But the idea of being an Olympic golfer never occurred to me.
Bobby Knight told me this: 'There is nothing that a good defense cannot beat a better offense.' In other words a good offense wins.
If 'Bobby McGee' lasts, if 'Star Is Born' lasts, if 'Help Me Make It through the Night' lasts, if all of 'em last, man... who cares?
