I think, often, people who run away are people who got into things most enthusiastically, and then they want more. They just demand more of life than what is happening in the moment. Sometimes this is a great mistake, as it's always a good deal different than you expect it.
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
Your entire life only happens in this moment. The present moment is life itself. Yet, people live as if the opposite were true and treat the present moment as a stepping stone to the next moment - a means to an end.
To maintain our entrepreneurial spirit, we have to create a culture in which everyone remembers that every order, big or small - and every interaction, every moment - will define what our company is today and what it will become tomorrow.
The mind and the body are inextricably entwined, and rarely are their inseparability clearer than when we're under some kind of mental pressure. The moment we start trying to learn a new skill, make a decision or otherwise think on our feet, our nervous system reacts - with accelerated pulse rate, increased respiration, even sweating.
I had an interesting moment with 'Wonder Woman' where, when I first thought about doing 'Wonder Woman 2,' I thought, 'Well, these are so intense, making these movies. It's a lot to think about doing more.' But then I had an epiphany, and I thought, 'Oh, it's not more - it's better.'
The experiencing self lives in the moment; it is the one that answers the question, 'Does it hurt?' or 'What were you thinking about just now?' The remembering self is the one that answers questions about the overall evaluation of episodes or periods of one's life, such as a stay in the hospital or the years since one left college.
Let's face it: professing a deep interest in movies, the absolutely dominant global art form of the last century, is at this point like professing an interest in air. Passion is nice. Erudition is admirable. But it's like that moment when good manners cross over into meaningless etiquette.
The music has a very strong escapist quality to it. In the moment where you feel like you need to escape, or when you are escaping, that's a good time to listen to 'When the Night.'
When you really study espionage movies, or spy movies, the beginnings are really set up to have, like, an amazing bit of action, but at the moment you're watching it, you have no idea why or what it's about.
Ten years from now, we'll still be talked about as the first gay couple that ESPN had in 'The Body Issue.' You might not realize, in the moment, the impact that something like that can have. Every now and then, when you talk to people and hear the reactions, maybe we helped somebody.
I always wrote stories, but I do remember a particular moment in middle school where I became passionate about essay writing.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
Let's assume for the moment that the logic behind Presidents Day is actually sound for certain presidents. Why not have a separate holiday for Lincoln and one for Washington - as we used to do, before we became so concerned with the 'Every President Gets a Trophy' ethos?
I remember I did the movie 'Eulogy,' and there was a dramatic moment in it. It was pretty heavy, and I went for it. It was... I didn't feel that comfortable doing it.
I had a sort of classic moment when a friend of mine rang up and said she'd just been to a funeral, and in the middle of the eulogy, this kid had taken out the phone and had a whole proper text conversation - while everyone was weeping!
From the moment my dad died, from the moment I found out there was the possibility of his dying, there were many surprises - years after, minutes after. The moments I was okay were as surprising as the ones that I wasn't. Making it through the eulogy without losing it. And then the guilt I felt about it. Surprise!
It's cool how to see how my creative juices have shown themselves when they're not being used for 'Euphoria' every day. I'm trying to find a new rhythm as to how I'm going to externalize my artistic energies. It's a moment of re-formation.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
We insist on celebrating lone heroic path-finders, but even the most admired and the most successful inventors are part of a more remarkable supply chain of innovators who are largely ignored for the simpler mythology of one man or one eureka moment.
