Taylor Swift dates guys so she can write a breakup song about them. I don't think she's dating for love - I think she's dating for creativity. So let's get her off the market and put her in dating detox. If she really wants love, she has to stop writing music about them.
This rise of the new global mega-rich is happening as established institutions are falling. The fall runs the gamut from the music business and traditional media to the Detroit automakers who find themselves obsolete, outmaneuvered, and out-priced by entrepreneurs in Silicon Valley, Mumbai, Shanghai, and even Siberia.
We have to make the physical music a little more valuable instead of just having a download link and a bunch of songs you downloaded from some torrent site. People try to make the music value-less, and I don't think we're going to stop that train, but the one thing that they can't devalue are things that are in the outside world.
You don't ever want to devalue music. Music is important; it's necessary product. I always try to make sure that there's a value - that people appreciate music and realize that there's a value to it.
And why is our music called world music? I think people are being polite. What they want to say is that it's third world music. Like they use to call us under developed countries, now it has changed to developing countries, it's much more polite.
I believe that experimenting is what production is. But it doesn't mean much if you don't have a solid foundation in what you're experimenting with. You can't really deviate from music unless you know music; it's not gonna work.
People don't want lots and lots of single purpose devices. They do not want to have to learn how to set up something for photos, another thing for music, another thing for video.
Unfortunately, music devolved instead of evolved. The music business got into the hands of lawyers and accountants rather than the entrepreneurial creative people, and that's when the beginning of the end started. It's all based on money instead of art and creativity.
Where there is devotional music, God is always at hand with His gracious presence.
As responsible artists, it's our duty to let the youth know the importance of devotional music.
It was never part of how I imagined my music, and I watched in awe at how this ukulele troubadour image suddenly devoured the Jens Lekman I had planned so carefully.
I devoured everything on the radio, I felt like I knew music.
I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.
I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.
Quite frankly, I've always listened to the black side of the radio dial. Where I grew up, there was a lot of it and there was a lot of live music around.
I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
I really do love Diana Ross; I grew up listening to her records. I grew up in a little town in Mexico, so while we got the music, we never got the experience of watching her.
In 1997, we took time off, and that's when Oasis broke and Princess Diana died and I was home with my baby hating the music industry. People asked what I thought about the Spice Girls, and honestly, I was so happy to tell them I couldn't be bothered to care.
When we talk about my music, it's a cross between Tina Turner, Alanis Morrisette, and Diana Ross. It's the glamour and the showiness of Diana Ross; the ferociousness and pain of Tina Turner; and the vocals of Alanis.
I grew up falling in love with music videos and those images: Hype Williams and Mark Romanek, David Fincher and Diane Martel and Paul Hunter, just from the video side. I grew up also watching a lot of independent films and foreign films.
