I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'
When I write music, I know a lot of artists like Taylor Swift or Ed Sheeran tend to write from personal experience. I write from personal experience, of course, but I don't limit myself to that.
I was 14 when I decided I wanted to start doing music and stuff. I was a really big fan of Ben Howard, and he put out a really amazing album in 2014, and then, after being inspired by my dad and Lady Gaga and Ed Sheeran, I wanted to start writing songs.
There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
Edinburgh is where I started. A lot of the remixes I made were done in my room there, and it was a good place for me to make music.
Edinburgh has a similar climate to Bergen - it's very rainy and grey. There were a lot of days I'd sit inside in front of the computer, make music, and dream about summer - instead of the rainy reality outside.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.
None of my kids want to be actors. They are actually very interested in being musicians. I think they like the process of film from the outside. Mad is interested in editing. Pax loves music and deejaying.
Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
If I can have the opportunity to go into an editing room, it's like the golden ticket for me. All I want is to learn about everything else in the filmmaking process. I just directed a music video which just came out and that'd sort of be the area of the field that I'm going to move into, I hope.
I would pretty much like to forget the music that happened to me between the ages of eight and 11, so I'm going to say the first album I bought was the special edition of 'Dark Side of the Moon.'
STREET by 50 is all about giving our fans the finest music experience we possibly can. The response to the limited edition colors so far speaks for itself - the fans want the opportunity to match their headphones to their personal style, and we definitely want to make sure to give them what they want.
I felt like that was my calling. I just didn't know how I was going to get my voice out of Edmonton, but I definitely knew that music was what I was going to do with my life.
Every time I've seen Sheryl Crow perform, it's like effortless perfection. She's so relaxed onstage, but she's really locked into the music and having fun. Vocally, I've always looked up to her.
Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.
If being an egomaniac means I believe in what I do and in my art or music, then in that respect you can call me that... I believe in what I do, and I'll say it.
Yeats regarded his work as the close of an epoch, and the least of his later lyrics brings the sense of a great occasion. English critics have tried to claim him for their tradition, but, heard closely, his later music has that tremulous lyrical undertone which can be found in the Anglo-Irish eloquence of the eighteenth century.
I could hear music playing in the background of works by certain authors, like Poe and Shakespeare. And I discovered Nikki Giovanni when I was in eighth grade. Her writing has a musical energy with pulse and rhythm, almost like jazz or hip-hop.
All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the Seventies sounds nothing like the stuff from the Eighties, and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?
