Advertising, music, atmospheres, subliminal messages and films can have an impact on our emotional life, and we cannot control it because we are not even conscious of it.
Music has this emotional thing to it, and it touches people in crazy ways. The power of having that power is something that, once you have it, you don't want it to ever end.
Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.
It's obvious some people don't have an emotional thing for the music.
Music for me is an emotional thing and it really does make me happy. It's not a tool for me to get fame or see my face in the papers or anything like that. It's about the fact that I really do enjoy it.
I think it's almost a law of nature that there are only certain things that hit an emotive space, and that's what was always special for me about music: it made me feel something.
You listen to a piece of music and it will remind you of something - it might make you happy, it might make you sad, but it is very emotive. And I think that Duran Duran have always understood that.
As a musician and a songwriter, it is an act of the ego to believe that other people might be interested in your point of view. But it is usually an empathetic nature that gets you going in the first place. Music keeps the heart porous in many ways.
So there's no guarantee if you like the music you will empathize with the culture and the people who made it. It doesn't necessarily happen. I think it can, but it doesn't necessarily happen. Which is kind of a shame.
My father was - actually was an Episcopal priest as a young man. Became a psychotherapist, a psychologist. My mother is Jewish, so I grew up in a mixed background. But the common denominator was certainly music, and that was sort of emphasized in my household as music being sort of the spiritual force.
Some people focus more on sonics. Some people focus more on story. I focus on both sonics and story, but music sometimes, just music itself, can turn into more of a maths problem. I guess everything in life is a math problem, but it can be more about an empirical route to getting the symmetry that you want, and this vibe, sonically.
Depressives have led countries, won wars, flown rockets to the moon, made great music. Don't let depression stop you employing someone, and never let it cause you to judge them. Depression is not a person. Like any other illness, it is something that happens to a person. It shouldn't define them.
I always felt called to serve, to empower and ennoble as many people as I could, teaching, truth-telling, exposing lies, bearing witness, and being willing to live and die for something bigger than yourself. I had a passion and love of learning and wisdom that was inseparable from a love of music and the arts.
In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe.
I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.
What's incredible with Trent Reznor is how he took all the alienation and the rejection of traditional rock and found a way to encapsulate it in a form that made the public finally get industrial music.
What I appreciate about Sleater-Kinney is that we did six records, and they all felt different. It was a band that was able to encapsulate different sensibilities because we were focusing on it as music and art and not as a statement.
I was always sort of mystified and excited about the world of country music. Something about it struck me as enchanted.
Music is probably the only real magic I have encountered in my life. There's not some trick involved with it. It's pure and it's real. It moves, it heals, it communicates and does all these incredible things.
The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
