Whatever we were saying in our music had to represent something and really stand for something. I just wanted to do something with purpose.
The standardization of world culture, with local popular or traditional forms driven out or dumbed down to make way for American television, American music, food, clothes and films, has been seen by many as the very heart of globalization.
Women in country music have always been a staple and always been important.
We're a staple in the American music culture. Like us or not, we're here to stay.
There's something in me that loves to inspire people: when I'm playing music, I imagine all this sparkly stardust going through everyone. I want to make people come alive.
I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
I think music will always be a big part of my life. I can't go five minutes without singing, sometimes unconsciously. And people stare at me, and I'm wondering why they're staring, and then I'm realizing that I'm belting out a tune.
My eyes went blank, and I stared off, and the music started. It was raining, and the sun was shining at the same time, and there were these big bay windows, and there was the blue in the sky, and the sun on the trees, and it was drizzling.
'The Starship Avalon' is perpetually mobile. The music is designed to give the impression of endless sleep and endless journey with a significant interruption that guides the story that follows. It's color and pulse followed by great size.
For starters, I wanted to do an acting role in a movie that had nothing to do with the music business or in which I would play a singer or a songwriter. When I act, I don't even want to be thought of as Ne-Yo.
In times of war, starvation, hunger and injustice, such tragedy can only be put aside if you allow yourself to be uplifted through music, film and dance.
When I approach a band, I want to respect them and be respectful of their music. I'm not gonna say, 'Look, you guys are real hot, so we'll stick you in the movie, and we'll get it in all these stores and all these stations.' That isn't right.
Because you've been exposed to Western tonal music, you know after a certain chord sequence what the next possibilities are. Your brain has compiled a statistical map of which ones are most likely and least likely. If the song keeps hitting the most likely notes, you'll get bored, and if it's always the least likely ones, you'll get irritated.
We work so hard to stay true to country music. People can say they don't like it, but they can't say it's not country.
My dad is a civil engineer, and my mom is a stay-at-home mom. The fact that my parents weren't really involved in music was kind of good, because it meant that I had something that was private and personal.
Movies for adults sucked in the 1980s, and music for adults sucked even worse; whether we're talking about Kathleen Turner flicks or Sting albums, the decade's non-teen culture has no staying power at all.
Music's staying power is a function of how timeless the lyrics, song and production are.
I'm always up for music shows such as Jools Holland, but news more than anything, particularly Newsnight. And cookery: Hugh Fearnley-Whittingstall, Rick Stein - it's down to him that I cook fish so much - and the great food alchemist Heston Blumenthal.
I draw inspiration from my life, and, honestly, a lot of my religious beliefs have stemmed into my music.
Jazz was the pop music of its day, and all American popular music has stemmed from it one way or another.
