Right before I graduated from the national theatre school, I got the part of Roxie Hart in 'Chicago' in Copenhagen. That led to me playing it here in London. I was 26 when I came over for that. It was the first thing I did as a professional, and it is still the experience of my life.
I've come to the point in my life where I encourage young Native Americans to become much more selfish about their personal needs and wants.
I didn't do school plays... I've never done a play in my life, actually. Not even a nativity.
NATO has been a thread throughout my life.
I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography.
Grief - the actual, natural process of it - doesn't have a schedule that I can work my life around.
If my life depended on being a social-media person in terms of talking myself up, I probably would be in trouble because - not that I wouldn't be able to step up to it - but I wouldn't love it. I wouldn't want to be that person; that wouldn't be my natural thing.
I love cities, I spend most of my life talking about cities. And the design of cities does have an effect on your life. You're lucky if you can see trees out of your window and you have a square nearby, or a bar, a cornershop, a surgery. Then you're living well.
I wrote in the 'War of Art' that I could divide my life neatly into two parts: before turning pro and after. After is better.
I have walked away from friendships when I've realized that someone smiles to someone's face and talks about them the minute they walk out of a room. I have no room in my life for that kind of negative energy anymore.
I'm taking all the negatives in my life, and turning them into a positive.
Even if I have a good day, I still am aware of other people that are going through really hard, tumultuous things. I don't want to be the person who has a platform and neglects the things I see in my life and experiences.
All that hullabaloo about somebody's net worth is just stupid, and it's made my life a lot more complex and difficult.
My work is not about my life history. It's not about the story of my neurosis.
I would never quit comedy to make money. I've been doing it, like, 30 years. I still love it. That's my life.
I've never had a job in my life that I was better than. I was always just lucky to have a job. And every job I had was a steppingstone to my next job, and I never quit my job until I had my next job.
What I do know from my life is the phenomenon of saying, 'This is too small a thing to argue about', but then nevertheless finding oneself in that argument.
London represents the idea that someone pulled away the set from my life and replaced it with another. 'Here is your new baby. Here is your new life. And now you do comedy.' Without being smug, it's the best fun.
I can say playing for the New England Patriots has been the highlight of my life.
My life and career is defined by the constant pursuit of new forms of culture and self-expression.
