If I were to live my life over again, I would be an American. I would steep myself in America, I would know no other land.
I draw inspiration from my life, and, honestly, a lot of my religious beliefs have stemmed into my music.
I grew up without a father, who was kept a mystery to me. There was a sense of uprootedness, things being one day here and the next day not; a sense anything could happen. Then, all of a sudden, my mother met my stepfather, and her life became happier, and my life changed, my name changed.
My mother's a psychologist, my stepfather's a psychologist, my stepmother is a therapist and my dad's a lawyer. So it was all prominent in my life. I don't know anyone who doesn't know someone on some form of prescription medicine.
Here's something I probably shouldn't be saying: I never listen to my soundtrack albums because I can't stand it. It's just stereo. When I write, I write in surround. My life is in surround.
This is not the first time in my life where you know going into a job that you're going to hear in stereo what was wrong with what you did.
I personally don't feel any pressure to make jokes about multiple baby-fathers and stereotypical black jokes, because one, that's just not my life, and two, I wouldn't even sound right talking about those things.
I have been grateful for the influence of my grandmother and my grandfather in my life. I remember my grandmother as a queenly woman. My father could be stern, and my grandparents would remind him that we were just boys.
When I founded Stitch Fix, I wanted to create a company that I would want to work at for the rest of my life.
I've been on Wall Street once in my life in 1980 as a tourist. I went to see the stock exchange when I was 18 years old. I'm not a Wall Street lawyer, I'm a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh.
I'm still an athlete, I'm still a stockbroker, I'm still an actor. I think of it as more of an opening of new doors than an actual transition. I enjoy all of those things, which is why they remain a part of my life.
I did not want to go out at 5:30 in the morning with my stocking cap and my navy pea coat on and shoot lines and grades for the rest of my life.
You want to be excited about what you're doing. So whenever I get tired, I think, 'Would ten-year-old Adam be pretty stoked on what I'm doing and what's happening?' So I just live my life as if I'm using my ten-year-old brain.
If we did end tomorrow, I would be so stoked and proud of everything I've done and how I lived my life. I feel like I've had enough experiences for multiple lives.
I once told Tommy Smothers, 'If I could just get the money and the women straightened out, the rest of my life would be easy.'
The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up.
Being a grandmother is one of the least strange things in my life. It makes more sense than a lot of things... like photo shoots!
Sometimes I write stuff that strangely predicts what's going to happen in my life.
I joined an all-girl band in Detroit and, although I was a pianist and drummer, I was asked to play bass because no one else wanted to. When I strapped it on, it fit me as good as my leathers. At the first gig we played, I looked out at the audience and thought, 'This is what I'm going to be doing for the rest of my life.'
The Beatles were in a different stratosphere, a different planet to the rest of us. All I know is when I heard 'Love Me Do' on the radio, I remember walking down the street and knowing my life was going to be completely different now the Beatles were in it.
