People need to know that when I was interviewed when I played, I would really pat myself on the back when I did well and tell you how good I was playing, but I'd also tell you when I choked or I was playing terrible. I told it like it was.
Sometimes when I'm watching television and something, an image, will come on that has to do with 9/11 or some of these families telling their stories, or children talking about drawing pictures of airplanes flying into towers, you know, I find myself still choking up.
I've never owned an actual trail-running shoe myself, but maybe I should. My favorite paths are fraught with peril, much of it skulking at shoelace level. A rock, a root, an errant pine cone. Wham, and you're down, choking in dust and picking pebbles from wounds in your forearms and knees.
I've been on so many primetime shows that were cancelled - after one episode, after 10 episodes, after just one season. I got used to that. But I found myself choking up a bit at 'OLTL.' It was really hard to say goodbye to those people. It was not the way we wanted to go out.
Laos is a country where everything is eaten. When I came back, I would find myself chopping parsley and thinking: 'Why am I throwing these stems away? They're perfectly edible.'
I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
I have so much to learn when it comes to running. I just don't ever want it to feel like a chore. When I choose to sign up for a race or go out for a run, it's to make myself feel good, and I almost always do.
If I didn't believe in myself as a dancer, I wouldn't choreograph.
I think I just have this need to be a storyteller. That's why I wasn't a great dancer - I couldn't articulate a story. I was a better choreographer. I have the need to to just express myself in that way. I can't explain it.
I consider myself kind of a reporter - one who uses words that are more like music and that have a choreography. I never think of myself as a poet; I just get up and write.
I totally remove myself from any costumes, wardrobe, any choreography. I could care less about that stuff.
I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
I hate myself in interviews. All of a sudden, you stop and you're like, 'Chris, how dare you?' I don't live in Darfur. I have both legs. But you can't walk around all the time being like, 'I'm so grateful I'm not in Darfur.'
I respect Chris Brown. I'd like to call myself a friend - I don't know if I'm allowed to do that.
I wouldn't call myself a standup in the presence of Jerry Seinfeld or Chris Rock, but I do my share of it and it has been and remains part of my activity and I like it.
I have a good sense of humor. I'm not Martin Lawrence by any means. I'm a little too country to be Chris Rock. But I fancy myself as being somebody with a good sense of humor.
Writing songs out of my faith was a real natural progression. I grew up singing in my dad's choir and singing with my family. Christian music became the music that I identified myself with and was a way that I expressed my faith. Even at a public school I would take my Christian music in and play it for my friends.
I have never ever Googled myself; in fact I think the Christian right prohibits such things.
I think I used Christine, who is my stage character, as an excuse to finally be myself, as if I needed to say, 'Oh this character is going to be the woman I wanted to be.'
