Antique Foundation Here I built the ruin in My voice on either side of me In the temple the ocean could Not be a crowd I mined The shore with fog the sun dries These bricks I built the vision in The cinder block that is the city Wall this grave Tone I speak with a picture Of myself in my wallet • Don’t be fooled by grass and these words Grass whispers Because they are real they are Ruinous Here, the gossip is in the dust Not the sea cloud enters the open Child’s window dimming the silver Flute’s sheen Where is he Who hears inside the brick those notes? There is a rumor in the city we’ll exist If he plays his song no one knows • Follow that shadow don’t tell me it’s mine Here there is no being alone Here are my hands which tore the leaves so Quietly in the temple the god Emerging from marble points at the chisel At the base of his stone Did I tell you Where I’m going? To the old man Who sings the margin Where on wave-tip swords turn edge over edge Wound us and the shore with foam • My face on either side of my face I tore My picture in half to show the gate You must climb inside your breath to leave As fog the wind will bear you— If you’re lovely—away In the spare clouds The children’s chorus Do you hear?— Where were you, and where are you going? Here I built the ruin in the stone-crushed Sage leaves my hands scented as long ago When I liked to press the desert against my head to think
The language of a river inscribes over eyes of moths and flies the navel of the land is a lake.
I suppose you could say these images present a glimpse of the world around me during the last 5 years as well as moments in time for the creatures and nature sharing the same space as me.
These people have learned not from books, but in the fields, in the wood, on the river bank. Their teachers have been the birds themselves, when they sang to them, the sun when it left a glow of crimson behind it at setting, the very trees, and wild herbs.
If the ignorance of nature gave birth to such a variety of gods, the knowledge of this nature is calculated to destroy them.
A truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild flower discovered on the prairies of the West or in the jungles of the East. Genius is a light which makes the darkness visible, like the lightning’s flash, which perchance shatters the temple of knowledge itself,--and not a taper lighted at the hearth-stone of the race, which pales before the light of common day.
The real purpose of the scientific method is to make sure nature hasn’t misled you into thinking you know something you actually don’t know.
Summer on the high plateau can be delectable as honey; it can also be a roaring scourge. To those who love the place, both are good, since both are part of its essential nature. And it is to know its essential nature that I am seeking here. To know, that is, with the knowledge that is a process of living. This is not done easily nor in an hour. It is a tale too slow for the impatience of our age, not of immediate enough import for its desperate problems. Yet it has its own rare value. It is, for one thing, a corrective of glib assessment: one never quite knows the mountain, nor oneself in relation to it. However often I walk on them, these hills hold astonishment for me. There is no getting accustomed to them.
Schopenhauer remarked that buying books would be better if you could also buy the time to read them. Books are different from natural objects in that they can overwhelm us in a way that nature’s abundance rarely does. There has always been too much to know; the universe is thoroughly baffling. When we walk into a bookstore, it is easy to feel oppressed by the amount of knowledge on tap. Why don’t we have the same feeling in a forest, at the beach, in a big city, or simply in breathing? There is more going on in our body every second than we will ever understand, and yet we rarely feel bothered by our inability to know it all. Books, however, are designed to make demands on our attention and time: they hail us in ways that nature rarely does. A thing is what Heidegger calls zunichtsgedrängt, relaxed and bothered about nothing. A plant or stone is as self-sufficient as the Aristotelian god or Heidegger’s slacker things, but books are needy. They cry out for readers as devils hunger for souls.
One had to live a long time to know a man's true nature.
ஆசையின் வழியே பயணப்படக் கூடாது. அறிதலின் வழிதான் பயணப்பட வேண்டும். இயற்கை ஆசைக்கான பொருளன்று.
I realise that the tale of my traffic with a mountain is as valid today as it was then. That it was a traffic of love is sufficiently clear; but love pursued with fervour is one of the roads to knowledge
Nature, or the natural, that is what we find beauty in. The idea that some idea belongs in part of an order. That it is more than coincidence or a strange occurrence or a singular moment but rather that it is a coincidence or a strange occurrence or a singular moment that is natural to our being is what makes it beautiful. As if being anywhere else but where we are would be wrong, a pale version of the beauty our hearts imagined.
the architecture of our brains was born from the same trial and error, the same energy principles, the same pure mathematics that happen in flowers and jellyfish and Higgs particles. Viewed in this way, our human aesthetic is necessarily the aesthetic of nature. Viewed in this way, it is nonsensical to ask why we find nature beautiful. Beauty and symmetry and minimum principles are not qualities we ascribe to the cosmos and then marvel at in their perfection. They are simply what is, just like the particular arrangement of atoms that make up our minds. We are not observers on the outside looking in. We are on the inside too.
Nature was beautiful and I felt in tune with the universe, like every single decision I had made had brought me to here, to the glowing now. And here is such a beautiful place to be
I realize that in giving birth, managing a household, raising a child, and composting potato peels in a city, I have learned some things about wildness that even Thoreau could not have known.
Science gives us the ability to pull back the skin of life and reveal the truth of things. It allows us to understand the mysteries of mountain-making and falling stars. But knowledge isn't meant to be held as a weapon in a battle to defy our fates and manipulate life over death. Evil lodges too easily in men's hearts. What will happen if they assume the power to create life?
You could start now, and spend another forty years learning about the sea without running out of new things to know.
If the shrike did not eat the grasshoppers, then the grasshoppers would eat all the grass, and there would be none left for the deer...and the deer are food for the tiger. Life in the jungle is a giant spiderweb; if you touch one strand, it will vibrate at the other end. We cannot separate nature into good and bad, Rita. The gods do not will it so.
Nature doesn’t need knowledge, because nature is knowledge, knowledge manifest.
