In this eventful period the colony of New South Wales is already far advanced.
The staple of our Australian colonies, but more particularly of New South Wales, the climate and the soil of which are peculiarly suited to its production, - is fine wool.
In a colony constituted like that of New South Wales, the proportion of crime must of course be great.
I'm one of five kids and we lived on a massive farm in New South Wales with my mum and dad.
Part of my childhood was spent in Sydney and part in rural New South Wales, at Armidale.
My daughter had carried within her a story that kept hurting her: Her dad abandoned her. She started telling herself a new story. Her dad had done the best he could. He wasn't capable of giving more. It had nothing to do with her. She could no longer take it personally.
The one thing that I always try and take with me, if there's, like, a remake, or you're doing something again, is that every generation has a new story to tell.
I hope they find some way to come up with a new story that involves Beast in my timeline.
I now find magic in the mundane. I'm also more creative - better able to look beyond the obvious and come up with new story angles.
The terror of figuring out a new genre, of telling a new story, is what makes the job exciting, keeps me from getting bored, and I assume it keeps whoever follows my work from getting bored as well.
What I feel responsible for is, if my name is on a comic, I want it to be the best-written comic that I can possibly do. I want it to include some new things we haven't seen before, new story ideas, new characters. Quality, quality art, all those kinds of things.
When I'm doing a part, I'm not coming with any baggage of who did what. I looked at 'Force 2' as a fresh film. It's a new story and a new director.
I want to write a new story in Europe, to make a new history. I want to come to win the championship and play again in the Champions League.
I teach a 14-week semester, and one of the things I do when I have to teach literature is, for the first half hour of the class, I have the students write the beginning of a new story every week. At the end of the semester, even if they have learned nothing about literature, at least they'll have 14 beginnings that they can take with them.
Every fight is a new story, a new training camp.
I think the success of 'Downton' is partly because there are effectively 18 leading characters, all given equal importance, so it's enormously involving on many levels. But also, it's a new story. It's not like Dickens or Austen, where everyone knows the denouement.
If you want to tell a new story, it is a risk. But then you have to do it in the best financial way as possible.
I was too lazy to start a whole new story, so I just stuck a princess into the story I was working on... and The Princess Diaries was born!
I love writing, and I love the solitude of the writing, in that you're just sitting there creating something from nothing, or a new story for characters you love and care about.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
