So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.
Next time we need to be on drugs and have lots of suffering and alcohol abuse going on while recording, I'm kinda picturing a Jerry Lee Lewis session from the mid Seventies.
I want to be the next Paul Pierce.
I would never pigeon hole myself stylistically because I just don't know what I am going to want to do next.
But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.
I used to be hung up on my figure, but it's a waste of time. I don't believe in diets. Have four pints one night, be healthy the next.
My personal style is kind of random; it's always changing - I'm a Pisces! Sometimes I like one particular style for a season, and the next season I will dress totally different.
Some guys, first pitch of the at-bat gets called a strike - maybe it's a ball off or below their knees, and it gets called a strike - and then the next two pitches, they swing at balls in the dirt, and all of a sudden, they're yelling at the umpire about that first pitch. You just swung at two balls in the dirt, buddy.
I have some shorter stories coming out in other books early next year. I might be pitching a re-vamp of Ghost Rider in the spring. We'll see.
Placing the ball in the right position for the next shot is eighty percent of winning golf.
It's funny when people ask an actor what they want to play next, because you don't get to decide what you play. I don't know. I can only say this: I don't want to and have no interest in playing a plastic surgeon. That's for sure. I'm open to anything else.
The dream begins with a teacher who believes in you, who tugs and pushes and leads you to the next plateau, sometimes poking you with a sharp stick called 'truth'.
My ultimate goal is for that next generation coming up, who didn't see me play, go, 'Oh, he used to play football?'
I plough all my money into my next film, so I never actually have any money. It's always invisible.
America glories in its tradition of the self-made individual. Political candidates compete to be a friend to entrepreneurs, and policymakers, imagining the next Microsoft or Google, design laws to back the innovator in the garage.
I think almost every political leader is always told that the next speech they make is the most crucial one.
That's one thing I never had to do on a Mike Bay set is sit around and pontificate about the next scene; there's no time for it. You're already in the next scene.
In my college years, I would retreat to our summer house for two weeks in June to read a novel a day. How exciting it was, after pouring my coffee and making myself comfortable on the porch, to open the next book on the roster, read the first sentences, and find myself on the platform of a train station.
I discovered that bone china was a British invention, which had been developed by a pottery sited next to a slaughterhouse - 'bone' china, of course, contains bones, though we are inclined to forget that.
I never have my CNN off, it's on the whole day. I don't want to be out of range of television. I'm constantly bombarded by information - Somalia one second, Haiti the next - I need that constant pounding. I couldn't write without television. I need to have the world in my room.
