In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
Our families should gather for family prayer morning and night.
During last night's debate, John Kerry and John Edwards were so friendly to each other some political experts think that they may end up running together. In fact Kerry and Edwards were so friendly, President Bush accused them of planning a gay marriage.
Indeed, the night sky is the part of our environment that's been common to all cultures throughout human history. All have gazed up at the 'vault of heaven' and interpreted it in their own way.
When we do 'Sports Illustrated,' it starts the night before. You do a St. Tropez tan that night, then baby oil gel, then body color.
Because I have moderated two general election debates - in 2004 and 2008 - I know better than to carp from the sidelines. I am confident in my accomplishment of having had Queen Latifah portray me on 'Saturday Night Live' both years.
When I'm in New York, I have, like probably everybody else in Manhattan, a white-noise generator to use at night: a Marpac Dual-Speed Dohm-DS. It is terrific. I've never slept better in the city.
Laughter is day, and sobriety is night; a smile is the twilight that hovers gently between both, more bewitching than either.
My night stand is more like a geological structure: a bunch of books piled on the floor with its own strata.
In our town there was a Gestapo officer who loved to play chess. After the occupation began, he found out that my father was the chess master of the region, and so he had him to his house every night.
I can't do the same thing every night, the same gestures... it's like putting on dirty panties every day.
If capital and labor ever do get together it's good night for the rest of us.
I've done some really weird gigs. The ones where no one turned up - they're probably not the interesting ones to talk about. I played some pretty random ones in L.A. I signed to play all-R&B nights or an all-comedy night where I'd be the only white person there. They were fun.
Ultimate Warrior had a hell of a gimmick, but wrestling is about so much more than that. You have to be consistent, work main events every night and have matches that people really believe in and want to see.
I remember playing in Union City, and we had crap games after we finished playing at night. We would go next door to the cab stand where they were playing gin rummy and betting $1,000 a hand.
To get the feel of the polar night, I went back to Spitsbergen in winter. I went snowshoeing in the dark and experimented with headlamps and climbed a glacier in driving snow.
Maybe we should have known that night in Denver that things that begin with plywood Greek columns and artificial smoke typically don't end well. Maybe the Hollywood stars and the glamour blinded us a little: you thought it was the glare, some of us thought it was a halo.
One big, glaring difference I can think of between Iraq and Vietnam is the news coverage. During the Vietnam War era, you had TV coverage of the war saturating the airwaves every night, and that coverage wasn't put through a military filter at all.
They give birth astride of a grave, the light gleams an instant, then it's night once more.
I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.
