The only Shakespeare I ever did was a production of 'A Midsummer Night's Dream' two years in a row in my garden in Rockland County on the Hudson River in the 1980s. I had all the actors from the Actors Studio come out, and we made our own costumes.
'Parks and Rec' is definitely a mainstream show - the group that watches it on TV on Thursday night is small, but the audience that watches it on things like Hulu, Netflix, and Tivo is enormous.
What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.
One of the oldest human needs is having someone to wonder where you are when you don't come home at night.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
My writing regimen is not very regimented. I tend to be a binge writer, working sometimes in the morning and sometimes all night. When I get going I like to hunch over the keyboard until I feel totally played out.
If I have been guilty of no violation of law, why am I hunted up and down continually like a partridge upon the mountains? Why am I threatened with the tar barrel? Why am I waylaid every day, and from night to night, and my life in jeopardy every hour?
I'm always looking to the next thing. There are always hurdles, whether it's the White House dinner or hosting charity events or that night's show: Until they're over, I worry, then I move right on to the next thing. It's hard for me to enjoy the moment. I'm just thinking about not failing.
The 'Story of Silent Night', which was given to me one Christmas when I was six - it was the story of a down and out composer who had no ideas left, and it was Christmas, and he came up with the hymn 'Silent Night.'
I wanted to develop a hypnosis show that no-one had ever seen before, so I made it very topical and interesting. I've created a UFC fight night every night on stage, where I hypnotise twenty people into thinking they're mad, crazed UFC fans, and the energy is unbelievable.
I wash my face, steam it, and put on a mask right after because the steam opens up your pores. I put the mask on for ten minutes, wash it off, and then melt an ice cube all over my face because that tightens your pores. Then if it's nighttime, I do a night cream or serum or an oil, something to keep your skin moisturized.
I was 13 when I had my first bout of insomnia. My family was in Reykjavik, Iceland, for the summer, and day never really became night.
Lipstick is iconic. It's the one product that marks out an era, and a certain lip colour can define a season. It makes me feel more 'done'. I wear a beige lip in the day, but red when I'm going somewhere - it makes that transition from day to night. I just slick it on; I don't bother with lipliner.
I spent the night on a sliver of rock high up on the east face of Long's Peak, climbing with Tom Frost, and slept at the icy feet of the Dru, listening to the lightning crack above me and the thunder roll down. I only did it to write about it. I would never go up on the Grotto Wall for fun.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
My father is my idol, so I always did everything like him. He used to work two jobs and still come home happy every night.
I have this idyllic love life, but my mind just won't accept that. I would like to bring a new guy home every night. I try to make humor out of that situation.
I remember, as a child, the confusion of not knowing what this place was where I was supposed to spend the night: it's a disquieting experience for a child. And what I would do was quickly unpack my books and go back to a book I knew well and make sure the same text and the same illustrations were there.
The Internet is the most dangerous parking lot imaginable. But if you were crossing a mall parking lot late at night, your entire sense of danger would be heightened. You would stand straight. You'd walk quickly. You'd know where you were going. You would look for light.
I enjoy theater just for the sheer excitement of it and the immediate response that you get, and how every night the audience is a little bit different; but then, it's expensive to work in N.Y., and stage work is limited, so you're just doing it for the art.
