Child-rearing is my main interest now. I'm a hands-on father.
I got a flue shot and now my chimney works perfectly.
I made a very slatternly mother, notably unkeen on housework, unaware that homes need to be cleaned now and then, and too often to be found with a cigarette in one hand and a drink in the other.
I shall now recall to mind that the motion of the heavenly bodies is circular, since the motion appropriate to a sphere is rotation in a circle.
The language has changed. When I grew up and watched the campaigns of John Kennedy, even with Richard Nixon, there was a lot higher level of civility. Now we describe a disagreement as an attack.
My whole life is classical now. Except my wife. I don't have a classical wife. I have a classy wife, but I don't have a classical wife.
When the 14th Amendment, equal protection clause was enacted, the galleries in the Senate were segregated. Now we have integration.
I'm a bit claustrophobic, I know that now.
If we are now holding late-night talk-show hosts to the same moral accountability as we hold politicians or clergymen, I'm out. I'm gone.
I'm now the hitting the instructor with the Cleveland Indians.
ESPN puts out anything for clicks now, it kind of seems like.
If you don't have humour, then you may as well nail the coffin lid down now.
Michael Coleman, now that was a boy that taught me some stuff too.
Of the twenty-two civilizations that have appeared in history, nineteen of them collapsed when they reached the moral state the United States is in now.
I had a guitar when I was 6 or 7, a plastic guitar with the Beatles' faces on it. It would be a collector's item now. It would fetch a hefty sum, I imagine.
And so I'm saying that, yes, colonialism was terrible, and I describe it as a legacy of wars, but we ought to be moving away from that by now.
Although our rules and laws are now officially colorblind, they operate to discriminate in a grossly disproportionate fashion.
Simultaneously, the movie business now experiments with a colorblind approach to casting.
India is now changing and regaining its lustre, and it is coming of age.
A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.
