I don't want the staggeringly wealthy Elton John and his family to represent the standard of gay fatherhood any more than straight people want the stunningly beautiful Angelina Jolie and her family to represent the standard of heterosexual parenthood. Stars are outliers; stars are exceptions.
That is just the reality of being a marginalized person in this country: you have to deal with the psychological impact of your oppressor - whether that's being a woman dealing with men or gay people dealing with straight people or trans people dealing with everybody else.
I'm gay, and I know a lot of very liberal straight people, and, of course, they're absolutely fine, but they still won't necessarily come and see a film like 'Weekend.'
For us, it's a matter of just staying alive and getting the best deal we can now. Eventually, this will all straighten out. It may be two generations away or 10 generations away, but time is irrelevant in that sense. As long as we, as a people, stay alive, we will survive.
I think when I first straightened my hair, I was a teenager. I don't believe that I was consciously doing it to look white or to be on television. It never crossed my mind. All of the girls in my neighborhood got perms and their hair straightened. But I know that historically it was to assimilate and there are some people who do it for that reason.
My music is straightforward because I want to give people me and let them know they're not alone in going through the things that they go through.
I think you will see a lot of strains develop in the political process that will result in violence everywhere in the country - but it's controllable, it's workable and it will lead to a much better future for these people.
It was fortunate in looking back for South Africa and its entire people that Mandela and I found it possible to work together even though big strains developed between us from time to time.
It don't matter if you put 'The Dance' out, or any old George Strait song. Someone is going to think that it's awful. You gotta be able to just sit back and kind of laugh it off and know you're doing exactly what you wanna do, and if people don't like it, then it's not really my place to tell them they have to like it.
I didn't know they would pay you money to sit in a room and write songs for other people. I always thought that George Strait was singing a song, he made it up, and that was the end of it. But the instant I found that out, that that could be a job, I thought, 'That's the job for me. I gotta figure out how to do that.'
We will work toward maintaining the status quo for peace and stability across the Taiwan Strait in order to bring the greatest benefits and well-being to the Taiwanese people.
I write as if I'm someone reading the book - often people ask if I write one strand first and then go back and seed in the other, but I don't think I could keep track of who knows what, and the tension would come out wrong, so the answer is no - I write it more or less in the order you read it.
Last year, when we were in Mobile, Al., covering Hurricane Ivan, we heard the stories of poor people, many of them black stranded downtown because they had no way out.
My parents met because my father was an actor friend of one of my mom's brothers, but my mother has never set foot on the stage - she's quite shy. So it's a strange thing because people say, 'Oh, coming from acting parents,' when the idea of acting would literally make my mother just want to throw up.
To me, NASA is kind of the magical kingdom. I was sort of a geek, and you go there, and there are just these wondrously strange things and people.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Exercising power can do strange things to people. You can become convinced that you're irreplaceable. You can become convinced that you're always right. And I think the danger is the longer you stay in power, the more likely that is to happen.
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you're going to limit yourself. That's a very strange way to live.
Standing in public in other people's clothes, pretending to be someone else. It's a strange way for a grown man to make a living.
I think actually performing on stage when everyone's facing you and you're one person facing them, that is quite a lonely thing in a strange way. You have to be quite insular from everybody else, you've got thousands of people staring at you and you're just on your own.
