Ed Sullivan will be around as long as someone else has talent.
Everything was a lot more challenging for me because of who my brother was. If I were in the film, someone would had said that I got the part because Eddie's in the film. If I wrote a script, folks would say that I didn't really write that: that Eddie did and I threw my name on it.
Ajax is a multicultural club, and we have found that many talented immigrant players quit when they reach puberty. So we wanted to tackle this problem with someone from the same background who had come through it. And that was Edgar Davids. During one of our fights, I pointed that out to him. But it had nothing to do with his skin colour.
I'm 42 and the age of a guy who has kids, so I guess I'm playing right where I'm supposed to be. I'm comfortable with that, but in the same breath I'd do something edgy. If someone came to me and offered me an edgy and funny story, then I'd do it.
An editor is someone who separates the wheat from the chaff and then prints the chaff.
As someone who attended six different public schools across America, went to Harvard, and subsequently became a tutor in Manhattan's affluent Upper East Side, I've witnessed firsthand the differences in learning styles between public school educations and private.
Look at someone like Edward Norton. A truly phenomenal actor. He's definitely went to school and trained.
A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel it, you're emotionally effected.
I tend to like to make my statements more in fashion than in beauty, because what I normally respond to is when someone looks really effortless and deconstructed, beauty-wise, and they're fashion is really grand. Someone like Kate Moss is a great example.
My idea of beauty is somebody that doesn't have to try too much, someone who is effortless and fresh.
I'm so different from the egotistical, self-centred person I was when I did those things. And to watch someone acting out your memories on the screen is like reliving it. Like someone taking you back and showing you what you did.
If I can introduce someone to something new, as is constantly happening to me, then I am elated.
When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.
Before shows, we rub elbows and growl. It started once when someone had a cold, and we didn't want to hug each other. So we started rubbing elbows. And we don't kiss. We just go, 'Grrrr!'
I'd rather have head stomps and kicks to the head on the ground rather than elbows because I think to kick someone in the head while they're laying on their back is very hard. Elbows are easy. You can be here, and I just cut you and won the fight.
I would never date a celebrity. I would want someone with real skills. Doctor, nurse, electrician... tailor.
Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.
On 'Redneck Island,' a show I love, there was a lot of drama and storylines going on because someone's always voted off the island through process of elimination.
If you want to lift yourself up, lift up someone else.
Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.
