I guess the point of that song 'Troublemaker, Doppelganger' is trying to navigate the worth of beauty and if it's hurtful or helpful to value beauty. If it's a curse or a blessing. Is that something really negative and morbid, like the hearse, or is it the limousine - a glamorous symbol of enjoying life?
The song 'Take This Job and Shove It' spent 18 weeks on the country charts in 1977. 1970s country music fans had a clearer understanding of the ennui of wage-slavery than modern elites.
I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'
I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
When me and Eric did songs back in the day, we didn't go and sit down in front of no A&R. We made our album, and then, when we finished, we handed it in, and then we picked the best song for the first single.
Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
When I first heard the song 'Eruption,' which is Eddie Van Halen's most famous solo composition, I was confused because it sounded incredible, but I didn't know what it was. I didn't know if it was a guitar. I didn't know if it was a synthesizer or a keyboard. I couldn't figure it out.
Artists frequently argue that videos trivialize a song and that touring for months at a time works against the creative process, not to mention maintaining a normal lifestyle. Doing something about these complaints, however, is rare because promotional videos and touring are considered essential elements in building multimillion-unit album sales.
Keeping the pen out of your hand as much as possible is the best way to write a song, in my estimation. But the pen must come in to tighten it up.
By forbidding Jews to destroy their hair, the Bible warns them away from seeking the siren song of eternal youth. By encouraging Jews to grow beards, it reminds them that they will not be young forever, that they must prepare the ground for those who come after, just as their fathers did for them.
That's the beauty of creativity. It comes from the ether. I like to think, sometimes, it's like I haven't written it, it's more like I just reached up and grabbed it from somewhere. That song, 'Song of the Red Rock Mountain,' is one of them. I recorded it and thought, 'Where did that come from?'
You grow as a writer when you learn how to make songs flow from start to finish. That's the best song, when it's such a seamless process to get to this release at the chorus, this euphoric feeling. That's why the Beatles were so good - they did such a good job building so much tension in the beginning to this immaculate release, and then it ends.
When a song gets its legs and begins to come to me, this is the euphoric hook that keeps me wanting to continue.
I don't have a favorite song that I've written. But I do have a favorite song: 'Always on My Mind,' the Willie Nelson version. If I could sing it like he do, I would sing it every night. I like the story it tells.
I am moved more by melodies, song structure, and evocative textures.
If you can even manage to tell exactly what a song is about, all you do is put that song in a box forever, and it loses its evocative power.
Rhythm, that's an essential part of cooking. The sound of a lovely song and the smell of some dish in the oven are equally evocative.
I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
Writing a song to be a single is hard, and I don't like to focus on that because you can get caught up in making something just terrible, which is really easy to do if you're focused on making it a single. It's more fun when you focus on what excites you musically.
Dancing is never excruciating as preparing for it is. For instance, the song 'Chamma Chamma' had heavy outfits and even more heavy jewellery. 'Kambakht Ishq' was shot in extreme heat during the day and a rain sequence in the night, so we were literally drenched throughout the night.
