And if you're horrible to me I'm going to write a song about you and you are not going to like it. That's how I operate.
Sometimes I'll get to the end of a song, open my eyes and there's all these faces peering at me. It's quite horrifying.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
I never had huge amounts of money when I was young. I had huge amounts of fame, and I always had the sense of labor and recompense. I always said I don't want to work for pay, but I want to get paid for my song.
Sometimes when people can't speak English, they hum the melody instead of singing along. Having 20,000 people humming your song is incredible.
When I feel comfortable, I just like to sing and hum, and I don't even know I'm doing it. But sometimes someone will come over to me like, 'I love that song you were singing, but it's distracting.'
I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
In the case of 'Shape Of Water,' I want it to feel like a song. I wanted people to come out of the movie humming the movie.
You always will be singing a song or humming a line or a melody.
Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.
I totally accept that it's a legitimate criticism that when you are involved in the day-to-day scrum of government... that what can get lost is the narrative, the hymn sheet... the song that inspires and lifts people's sights.
A Hank Cochran song in the studio is spiritual. It's like singing a hymn in a church.
I wanted to have more songs with religious backgrounds. The Christmas record has strong, traditional hymns, but it also has a song called 'Christmas in Heaven' about missing someone that you love that's passed on, and wondering what's going on up there on Christmas.
Iggy Pop is legendary - he is awesome - and I am a massive Bruce Springsteen fan. His song 'Cautious Man' is my favourite song. It's really poignant, dark, and moody, like myself.
Me is what them call illegitimate, that mean say me is a criminal, bomba rassclaat! That's why me go write a song called 'Illegitimate Children.' It took me years to find out I was one.
I wanted 'Imitations' to be a fully realized record from start to finish, with a cohesive sound and a sequence that took you from one song to the other, just like I would with a record of original stuff.
I don't want to scream 'Immigrant Song' every night for the rest of my life, and I'm not sure I could.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
