I can write a song in about an hour if it's a simple country song.
I can stitch a song together in about an hour anytime you want, but it won't have the depth.
The hack songwriter will write the absolute truth every single word, whether it makes a great song or not.
There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.
You need to have spent your time from playing Top 40 pop rock in order to know how to play a song like 'Ritual,' a song like 'Absolution' or 'Idolatrine.' You need to know your classic drumming and your classic guitar.
I tweeted that I wanted Little Mix's 'Touch' played at my funeral - I think that'd be a great song to send me into the abyss.
I think 'Invisible' is a great song, but I don't know how accessible it is.
The truth is, I mostly thought about 'Accidental Racist' in terms of my fans. This song was meant to generate discussion among the people who listen to my albums. What I was most worried about is that my fan base would think that I was preaching to them.
When you're in a band and there's five of you, you have to accommodate five people in every song.
For all that has been said of the love that certain natures (on shore) have professed for it, for all the celebrations it has been the object of in prose and song, the sea has never been friendly to man. At most it has been the accomplice of human restlessness.
I came across 'The Song of Achilles' by Madeline Miller in one of the most romantic ways one can find a story. I was digging through a pile of used books at my local library when my hand gravitated toward its brilliant teal and glistening gold cover.
Every song on '10 Day' is a completely different sound - the cadence, the flow, even the production - because I like so many different types of music and because my taste is so refined. 'Acid Rap' is another tape where every song sounds different.
I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.
Oftentimes, especially in the context of an acoustic song, I'm motivated to write by some amount of melancholy.
A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
Storytelling is a very old human skill that gives us an evolutionary advantage. If you can tell young people how you kill an emu, acted out in song or dance, or that Uncle George was eaten by a croc over there, don't go there to swim, then those young people don't have to find out by trial and error.
I'm Not Afraid of the Police' is the first song I wrote and recorded since moving back to Los Angeles. It's a loud-pop, crazy-guitar, big-harmony song with all the police sirens created by guitars and ADA flangers.
I was the first Indian music composer to win the China Gold Award for 'Jimmy Jimmy' from 'Disco Dancer.' Adam Sandler repeated the song in his film 'Zohan.' 'Disco Dancer' is historical, as are 'Sharaabi' and 'Namak Halal.'
I'm very opinionated about movie musicals when they're adapted from live shows. You'll sit still for a three-minute song in a theater. But in movies, a glance from someone's eyes will tell you the whole story in a few seconds.
I do believe that when I'm writing music, I get addicted to the music of the concept of what the outcome of the song is, or the passion behind the lyrics.
