I can sing in my head and rearrange the tune of a song, note per note. I am a nerd.
Doing a remake of an iconic song is always nerve-racking because you never know if you can actually do justice to it.
When it comes to best new artist or album or song of the year, yeah, it's very rare that you see someone in country win one of those. It's a very strong genre, and it's got roots so deep in our culture. I think the pool of voters listen more to pop and R&B and hip-hop. Those seem to be the major contenders.
As a new artist there's always outside influences trying to tell you how to make a song better for radio and how to do your hair.
Singing is how I express everything. Hunger, needing new clothes... it's all through song.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
I'm 18 in this album. I'm not losing fans, and I'm not disrepecting women, but you reach the maturity of taking it to the next level with a girl. It was only necessary for me to have at least one song like that.
Sporadic thoughts will pop into my head and I'll have to go write something down, and the next thing you know I've written a whole song in an hour.
I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.
When you find a song that you love, you just have to do it - why would I try to match it? When I wrote more of the songs in the '90s - 'Nick of Time' and other songs I was surprised I came up with - it was because nobody else was saying what I wanted to say.
My 9-year-old daughter can recite every line from 'Easy Rider,' and that is not an easy song to do. She raps all of Nicki Minaj and everything; she's dope. She has my musical ear for sure. She sings, and she's beautiful. It's very powerful.
That was when Neil discovered Jack Nietzsche. They went off and pretty much came up with that by themselves, but I thought it was a great song, and I was more than happy to do my harmony parts on it.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
One week you may be an actor, and the next week you had to be nimble enough to be a TV host. And the week after that, you might have to do some stand-up or be in an improv company or write and sing a song somewhere.
What is that song that Willie Nelson sang? 'Oh, the days dwindle down to a precious few.' I think of that. No big deal. I've reached a stage in my life where I am content.
I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.
The easiest songs to write are pure fiction. There is no limit to how you can tell the story. I find it difficult when I'm replaying an event through a song.
There's no secret crazy backstory. I actually suck at writing. It takes me forever to write a song.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.
